The Cultural Compass recently spoke with historical spy novelist Alan Furst, who is reading tonight at the Ransom Center. The program will be webcast live. Here is how Furst has been occupying his time lately:
“I’m hard at work in two ways: maybe the more interesting has to do with promotion. I’ve been a writer for 25 years, 15 books, and now I’ve been led to discover, by Random House marketing people, the literary chat room. On reflection, since printing was invented, no other system of communication like this has ever existed. Short paragraphs, query and response, a kind of intellectual tennis, in minutes not days, achieved by the internet. And the protocols of e-communication seem to enhance, not limit, the discourse. In other words, you point to trails, you don’t go down them, but the person you address may, and the witnesses—audience?—because it’s an open forum—may do so as well.
“Also, not an anti-climax to me, I’m writing the hell out of a new book, about southern Europe in 1940/41, excited to confront new politics, new history, new ethnographies—the anthropological espionage novel!! You heard it first here.”
Learn more about Furst by viewing his reading recommendations, the inventory of his archive, and a profile that explores his writing process using Furst’s archival materials at the Ransom Center.
The poems published just after Edgar Allan Poe’s death are among his most popular: “Annabelle Lee” and “The Bells.”
“The Bells” was written with the assistance of Poe’s good friend Loui Shew, whom he visited one evening in 1848, complaining that he lacked inspiration to write a poem. According to one version of the story, she offered the opening line and he completed the first stanza, she offered an opening line for the second stanza, and so on. “The Bells” is a masterpiece of onomatopoeia: the sounds of the words directly reflect the mood evoked by each bell described. This manuscript, which is featured in the Ransom Center’s current exhibition on Poe, shows the poem’s earliest form, which Poe eventually expanded to four stanzas.
You can listen to Charles Keating doing a reading here from The Big Read audio guide CD: