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Read an excerpt from "The Gernsheim Collection"

The Gernsheim Collection
The Gernsheim Collection

In conjunction with the exhibition Discovering the Language of Photography: The Gernsheim Collection, the Ransom Center and the University of Texas Press have published The Gernsheim Collection.

The Gernsheim collection is one of the most important collections of photography in the world. Amassed by the renowned husband-and-wife team of Helmut and Alison Gernsheim between 1945 and 1963, it contains an unparalleled range of images, beginning with the world’s earliest-known photograph from nature, made by Joseph Nicéphore Niépce in 1826. The Gernsheim collection includes 35,000 important and representative photographs from the nineteenth and twentieth centuries; a research library of some 3,600 books, journals, and published articles; about 250 autographed letters and manuscripts; and more than 200 pieces of early photographic equipment. Its encyclopedic scope—as well as the expertise and taste with which the Gernsheims built the collection—makes the Gernsheim collection one of the world’s premier resources for the study and appreciation of the development of photography.

Published to coincide with the exhibition at the Ransom Center, this volume presents masterpieces of the Gernsheim collection, along with lesser-known images of great historical significance. Arranged in chronological order, this selection effectively constitutes a visual history of photography from its beginnings to the mid-twentieth century. Each full-page image is accompanied by an extensive annotation in which Ransom Center Senior Research Curator of Photography Roy Flukinger describes the photograph’s place in the evolution of photography and also within the Gernsheim collection. Read an excerpt from the introduction in which Flukinger traces the Gernsheims’ passionate careers as collectors and pioneering historians of photography, showing how their untiring efforts significantly contributed to the acceptance of photography as a fine art and as a field worthy of intellectual inquiry.

Comments

Michael Mahoney
Reply

I am updating my research on a Salvator Rosa drawing, recently acquired by the Chicago Art Institute, first known to me as belonging ( in the 1960′s) to Dr. W. Gernsheim in Montoriolo, near Florence. Would you know if that address and/ or the “W” Gernsheim are congruent with Alison and Helmut Gernsheim of your collection. My thanks MM

David Coleman
Reply

Dr. Walter Gernsheim was Helmut’s older brother and a noted art historian. He’s best known for assembling a huge photographic record of master drawings. To read more about the “Gernsheim Photographic Corpus of Drawings” go to this shortcut http://tinyurl.com/4ftmfup.

David Coleman
Curator of Photography
Harry Ransom Center

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