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75 Years, 75 Days: Donate now to support the fall 2014 “Gone With The Wind” exhibition

The Ransom Center is raising $50,000 in the next 75 days to support the upcoming exhibition “The Making of Gone With The Wind.”
The Ransom Center is raising $50,000 in the next 75 days to support the upcoming exhibition “The Making of Gone With The Wind.”

The Harry Ransom Center is raising $50,000 in 75 days for the Center’s 2014 exhibition The Making of Gone With The Wind. This Hollywood classic premiered in 1939 and will mark its 75th anniversary in 2014.

Film producer David O. Selznick’s 1939 epic film Gone With The Wind was embroiled in controversy before a single frame was shot. Based on the 1936 novel by Margaret Mitchell, the film’s depictions of race, violence, and cultural identity in the South during the U.S. Civil War and Reconstruction continue to both compel and trouble audiences around the world.

The exhibition will reveal surprising new stories about the making of this quintessential film from Hollywood’s Golden Age and illustrate why it remains influential and controversial 75 years after it was released.

The exhibition will include over 300 original items from the Selznick archive housed at the Ransom Center, including behind-the-scenes photographs, storyboards, correspondence, production records, audition footage, and fan mail. The exhibition will also feature gowns worn by Vivien Leigh as the beautiful and ambitious Scarlett O’Hara. These recently conserved costumes will be displayed together for the first time in more than 25 years.

Your support will provide funds for outreach, additional docent-led tours, a published exhibition catalog, and complementary programming and presentations. Donors will be acknowledged on the Ransom Center’s website and receive the following:

$10-$499: Commemorative save-the-date postcard with an image from the Ransom Center’s collection.

$500-$999: Complimentary Ransom Center membership for one year, at the dual level, which includes two tickets to the exhibition opening party.

$1,000-$4,999: Complimentary copy of the exhibition catalog.

$5,000+: Special curators’ tour for up to six people.

Registration closes next week for symposium “Magnum Photos into the Digital Age”

Image credit: Jonas Bendiksen, “Russia. Altai Territory. Villagers collecting scrap from a crashed space¬craft, surrounded by thousands of white butterflies. Environmentalists fear for the region’s future due to the toxic rocket fuel,” 2000. © Jonas Bendiksen/Magnum Photos.
Image credit: Jonas Bendiksen, “Russia. Altai Territory. Villagers collecting scrap from a crashed space¬craft, surrounded by thousands of white butterflies. Environmentalists fear for the region’s future due to the toxic rocket fuel,” 2000. © Jonas Bendiksen/Magnum Photos.

The Harry Ransom Center presents the symposium “Magnum Photos into the Digital Age.” Scheduled for October 25–27, the symposium is in conjunction with the Ransom Center’s current exhibition Radical Transformation: Magnum Photos into the Digital Age.

Twelve Magnum photographers, including Christopher Anderson, Bruno Barbey, Michael Christopher Brown, Eli Reed, Jim Goldberg, Josef Koudelka, Susan Meiselas, Mark Power, Moises Saman, Alessandra Sanguinetti, Alec Soth, and Chris Steele-Perkins, as well as Magnum CEO Giorgio Psacharopulo are scheduled to appear in panel discussions with a focus on the cooperative’s evolution and future.

To celebrate the fact that this many Magnum photographers are coming to Austin, we’re giving away a copy of panel moderator Kristen Lubben’s coffee table book Magnum: Contact Sheets (Thames & Hudson). To be eligible to win, retweet information about the symposium on Twitter or “Like” our Facebook post about the symposium on Facebook by midnight CST on Thursday, October 10.

The symposium brings together photographers, curators, and historians to discuss the ways in which Magnum Photos has continually reinvented itself from the moment of its founding.

Symposium information, including registration, is available online. Registration closes on Thursday, October 10. Register now.

Panel moderators include Kristen Lubben, Curator and Associate Director of Exhibitions at the International Center of Photography, New York; Anne Wilkes Tucker, Gus and Lyndall Wortham Curator of Photography at the Museum of Fine Arts, Houston; David Little, Curator of Photography and New Media at the Minneapolis Institute of Arts; Stuart Alexander, Independent Curator and International Specialist, Photographs, Christie’s, New York; and Jessica S. McDonald, Nancy Inman and Marlene Nathan Meyerson Curator of Photography at the Ransom Center.

The Magnum Photos collection was donated to the Ransom Center by Michael and Susan Dell, Glenn and Amanda Fuhrman, and John and Amy Phelan.

Explore the Ransom Center in a photography-themed open house this weekend

Photo by Pete Smith.
Photo by Pete Smith.

Enjoy a day of photography at the Ransom Center’s open house on Saturday, September 28 from noon to 5 p.m. Join us for activities including “jet-setter” tours of the current exhibition, Radical Transformation: Magnum Photos into the Digital Age, gallery activities, and mini-tours of the conservation department. Attendees will have the rare opportunity to learn how staff of the Ransom Center preserve and conserve collection materials, including photographs.

Commemorate your visit by posing in a photo booth inspired by the golden age of travel.

On the plaza, enjoy the music of the 1950s and 1960s with GirlFriend. Food trailers including mmmpanadas will have snacks available for purchase.

The first 100 guests will receive a gift bag that includes items from Austinuts, Tommy’s Salsa, Dr. Kracker, Texas Olive Ranch, and more. Maine Root sodas and KIND bars will provide complimentary treats.

The Ransom Center’s pop-up store will feature a merchandise sale, including glass water bottles inspired by the Center’s windows and Magnum Photos-inspired t-shirts, postcards, and publications. Attendees will have the opportunity to win a prize package that includes signed books.

Special thanks to these sponsors and participants: Austinuts, Dr. Kracker, KIND bars, Maine Root Soda, Texas Olive Ranch, and Tommy’s Salsa.

The event is free and open to the public.

Magnum Photos collection donated to the Ransom Center

George Rodger, Sahara Desert, 1957, verso. With permission of Magnum Photos.
George Rodger, Sahara Desert, 1957, verso. With permission of Magnum Photos.

The Magnum Photos collection, which contains nearly 200,000 press prints of images taken by world-renowned Magnum photographers, has been donated to the Ransom Center. The gift was made by Michael and Susan Dell, Glenn and Amanda Fuhrman, and John and Amy Phelan.

Mr. Dell is Founder, Chairman and CEO of Dell Inc. Messrs. Fuhrman and Phelan are Co-Managing Partners and Co-Founders of MSD Capital, L.P., the private investment firm for Mr. Dell and his family.

In 2009, the Dells, Fuhrmans and Phelans purchased the collection from Magnum Photos. Since late 2009, the collection has resided at the Ransom Center, where it is being preserved and made accessible for research.

The collection, more than 1,300 boxes of photographic materials, has been integrated into the university’s curriculum, accessed by students and scholars, and promoted through a variety of lectures, seminars, and fellowships.

“The establishment of the Magnum Photos collection at the Ransom Center gives the work of these photographers new life,” said Stephen Enniss, director of the Ransom Center. “This photographic collection will be an invaluable resource, for decades to come, for students and scholars and all who wish to understand the cultural and historical moment through which we have recently come.”

The Ransom Center’s current exhibition, Radical Transformation: Magnum Photos into the Digital Age, draws from the vast collection of prints, exploring the evolution of the photo agency from the post-war golden era of the picture magazine to the digital age. Organized by Ransom Center photography curators Jessica S. McDonald and Roy Flukinger, the exhibition includes more than 300 photographs, plus a selection of contact sheets, documents, tear sheets, magazines, books, films, videos, and other multimedia. It is on view through January 5.

Complementing the exhibition is the Ransom Center’s symposium “Magnum Photos into the Digital Age.” The October 25–27 symposium brings together photographers, curators, and historians to discuss the ways in which Magnum Photos has continually reinvented itself from the moment of its founding. Symposium participants include Magnum photographers Christopher Anderson, Bruno Barbey, Michael Christopher Brown, Eli Reed, Jim Goldberg, Josef Koudelka, Susan Meiselas, Mark Power, Moises Saman, Alessandra Sanguinetti, Alec Soth, and Chris Steele-Perkins.

Reading Magnum: A Visual Archive of the Modern World is the first publication to examine the Magnum Photos collection itself. Published by University of Texas Press in September and edited by Steven Hoelscher, academic curator of photography at the Ransom Center, the book explores prominent themes in the collection—war and conflict, portraiture, geography, cultural life, social relations, and globalization—and includes evocative portfolios of images.

Jim Crace shortlisted for Booker Prize

Cover of Jim Crace's novel "Harvest."
Cover of Jim Crace's novel "Harvest."

Author Jim Crace, whose archive resides at the Ransom Center, has been shortlisted for the 2013 Man Booker Prize for Fiction for his novel Harvest (Nan A. Talese/Picador).

Crace was previously shortlisted for the Booker Prize for his 1997 novel Quarantine. The winner of the Booker will be announced at a ceremony in London on Ocober 15.

To celebrate this news, Cultural Compass will be giving away a signed copy of Crace’s novel The Pesthouse. To be eligible to win, tweet a link to this blog post and mention @ransomcenter. If you’re not on Twitter, send an email to hrcgiveaway@gmail.com with “Booker Prize” in the subject line. All tweets and emails must be sent by midnight CST tonight, and winners will be drawn and notified tomorrow, September 12. [Update: The giveaway is now closed. A winner has been selected and notified.]

Related content:

Writer Jim Crace gives writing advice and discusses why T. H. White’s archive at the Ransom Center brought tears to his eyes

Writer Jim Crace discusses his creative process in two videos

Driftwood in an archive

View Recommended Reading from Jim Crace

Opening today: "Radical Transformation: Magnum Photos into the Digital Age"

"Russia. Altai Territory. Villagers collecting scrap from a crashed spacecraft, surrounded by thousands of white butterflies. Environmentalists fear for the region's future due to the toxic rocket fuel." 2000. © Jonas Bendiksen/Magnum Photos.
"Russia. Altai Territory. Villagers collecting scrap from a crashed spacecraft, surrounded by thousands of white butterflies. Environmentalists fear for the region's future due to the toxic rocket fuel." 2000. © Jonas Bendiksen/Magnum Photos.

The exhibition Radical Transformation: Magnum Photos into the Digital Age opens today and will be on view through January 5.

Magnum Photos photographers have produced some of the most memorable images of the last century, shaping history and revolutionizing photography’s influence on modern culture. Founded in 1947, it was the first cooperative agency to be established and operated by photographers, thus ensuring unprecedented creative, editorial, and economic independence.

Its founders, including renowned photographers Robert Capa, Henri Cartier-Bresson, David “Chim” Seymour, and George Rodger, united in their pursuit of creative freedom and their commitment to sharing their images with the world. Membership in this collective empowered photographers to document conflict and liberation, revolution and reform, while preserving their own powerfully distinct points of view.

Established during the post-war golden age of the picture magazine, Magnum has flourished despite the impact of radical technological, economic, and cultural transformations on publishing and media. When television began to take over as the dominant form of mass communication in the 1950s, Magnum photographers explored motion picture and book formats. As the editorial market continued to shrink, photographers found new audiences in museums and galleries. Over the last decade, new technologies have dramatically changed the way photographic imagery is captured, distributed, and consumed. In this new environment, Magnum photographers have kept pace, experimenting with a variety of multimedia platforms to publish their work.

Organized by Jessica S. McDonald and Roy L. Flukinger, this exhibition of approximately 300 works investigates the evolution of Magnum Photos from print photojournalism to the digital age, revealing a global cooperative in continual flux, persistently exploring new relationships between photographers, their subjects, and their viewers.

Coinciding with the exhibition is the publication of Reading Magnum: A Visual Archive of the Modern World (UT Press), edited by Steven Hoelscher, Academic Curator of Photography at the Ransom Center.

The Magnum Photos Collection resides at the Harry Ransom Center courtesy of MSD Capital, Michael and Susan Dell, Glenn and Amanda Fuhrman, and John and Amy Phelan.

Beginning September 17, free docent tours will be offered Tuesdays at noon, Thursdays at 6 p.m., and Saturdays and Sundays at 2 p.m.

For groups larger than 10 people, please contact the Ransom Center to make arrangements for a private group tour.

The fall calendar includes many Magnum Photos-related programs, including “Boundless,” the opening celebration for the exhibition on Friday, September 20.

The Ransom Center presents the symposium “Magnum Photos into the Digital Age” on October 25–27. This symposium brings together photographers, curators, and historians to discuss the ways in which Magnum Photos has continually reinvented itself from the moment of its founding. Twelve Magnum photographers, as well as Magnum CEO Giorgio Psacharopulo, are scheduled to appear on panels with a focus on the cooperative’s evolution and future.

Collection of Materials by Robert E. Howard, Creator of Conan the Barbarian, is Donated to Ransom Center

Robert E. Howard's map of the Hyborian world. © Conan Properties International LLC.
Robert E. Howard's map of the Hyborian world. © Conan Properties International LLC.

The Ransom Center has received a gift of materials related to writer Robert E. Howard (1906–1936), a prominent and prolific writer in the fantasy genre. Though Howard is perhaps best known for creating the character Conan the Barbarian, he wrote more than 100 stories for pulp magazines of his day, though his career spanned only 12 years before he committed suicide at the age of 30.

The collection, which includes more than 15,000 pages of manuscripts, sketches and ephemera, was donated by the estate of Glenn Lord (1931–2011), a Texas literary agent, editor and publisher of Howard’s prose and poetry. Lord is considered the first and most important researcher of Howard’s life and writings.

Howard was born in Peaster, Texas, and he sold his first story at the age of 18 when the magazine Weird Tales published “Spear and Fang” in 1924. Weird Tales would go on to publish many of Howard’s stories during the remainder of his life, including two stories in 1932 that introduced Conan the Barbarian, a character who roams the primitive lands of Earth’s mythical Hyborian Age fighting evil. Howard created other enduring characters such as Puritan duelist Solomon Kane, boxing sailor Steve Costigan, enigmatic Atlantean fugitive King Kull, and great warrior king Bran Mak Morn.

“The Ransom Center has one of the largest collections of classic science fiction novels, as well as the papers of several important science fiction and fantasy writers,” said Richard Oram, associate director and Hobby Foundation Librarian at the Ransom Center. “The Glenn Lord collection of Robert E. Howard will add an additional dimension to these materials.  Everyone is familiar with the Conan the Barbarian books or films, and the franchise originated in Howard’s Underwood No. 5 typewriter. Today, original typescripts of this Texas writer are sought after by collectors around the world, and we are grateful that Mr. Lord decided to place them here.”

Howard maintained a regular correspondence for six years with fantasy writer H.P. Lovecraft, and the two debated the merits of civilization vs. barbarianism, cities and society vs. the frontier, the mental vs. the physical, and other subjects. Some of this correspondence is preserved in the collection.

Lord became a collector of Howard’s work in the 1950s and amassed the world’s largest collection of Howard’s stories, poems and letters. Lord served as the literary agent for Howard’s heirs for almost 30 years, and his collection was used as the source text for almost every published Howard work appearing in books and magazines between 1965 and 1997.

The materials will be accessible once processed and cataloged. Two cases of Howard materials will be on display in the Ransom Center’s lobby through September 3.

Ransom Center acquires papers of writer Barbara Probst Solomon

Barbara Probst Solomon's press pass for "The New York Review."
Barbara Probst Solomon's press pass for "The New York Review."

The Ransom Center has acquired the archive of Barbara Probst Solomon, a prolific writer and chronicler of twentieth- and twenty-first-century culture. The collection includes manuscripts, correspondence, published books, first drafts, interviews, documentaries, and photographs.

Solomon’s career as a writer began shortly after her graduation from Dalton High School in New York City. Bypassing college, Solomon moved to postwar Paris, where she met Spanish students who would later form the resistance movement to Francisco Franco’s dictatorial rule of Spain, which began during the Spanish Civil War. In 1948, she met Barbara Mailer, Norman Mailer’s sister, and they helped activist Paco Benet rescue two Spanish students who had been enslaved in Cuelgamuros, Franco’s labor camp.

Solomon became a notable voice of the 20th-century New York intellectual scene at a time when few women were featured in prominent literary and news publications. Her manuscripts form an integral part of her archive. Her books, including the novel The Beat of Life (1969) and her memoir Arriving Where We Started (1972), have received critical praise, and her memoir was heralded as “the best, most literary account of the intellectual resistance to Franco” when it won the Pablo Antonio de Olavide prize in Barcelona.

Solomon’s archive offers an important snapshot of twentieth-century history and culture. Solomon corresponded extensively in English, French, and Spanish with close friends, and the archive reflects her strong connections with other intellectuals and writers of her time. Solomon had a lifelong friendship with Norman Mailer, and letters and other materials relating to Mailer’s life and works are present. She had a long affair and close friendship with American novelist and screenwriter Clancy Sigal, and her collection contains extensive correspondence about their writings and lives. Mailer’s and Sigal’s archives both reside at the Ransom Center.

Solomon’s archive will be available for research once processed and cataloged.

Anthology documents 22 plays performed at 2 London theaters

Title page of "Measure for Measure" from the anthology "Comedy As it is Acted at the Theatres-Royal in Drury-Lane and Covent-Garden."
Title page of "Measure for Measure" from the anthology "Comedy As it is Acted at the Theatres-Royal in Drury-Lane and Covent-Garden."

Sarah Alger is a graduate student in the School of Information at The University of Texas at Austin, where she is working to complete her degree with an emphasis in Museum Studies. As part of her class “Rare Books and Special Collections”, taught by Michael Laird, Ms. Alger studied the Ransom’s Center’s copy of Comedy As it is Acted at the Theatres-Royal in Drury-Lane and Covent-Garden.

The original intent of my research was to study a particular printing of William Shakespeare’s A Midsummer Night’s Dream published in 1779. The library’s catalog lists each play individually. But when I viewed the document, I discovered this was not just a single play but a whole collection of comedic plays. And not all of them were by Shakespeare. While about half were by Shakespeare, the rest were written by a collection of various playwrights who were not necessarily Shakespeare’s contemporaries.

How did this collection of seemingly unrelated comedies come to be bound together?

The only real connection between these 22 plays was that they were all comedies and all performed between the years 1776 and 1780 at two playhouses in London: The Theaters Royal at Drury Lane and Covent-Garden. The Theater Royal at Drury Lane is London’s oldest functioning theater. Founded by Thomas Killgrew in 1663, the modern building is the fourth playhouse to stand on that site. These plays would have been performed in the third building on that location, completed in 1794. The previous building was demolished to create a larger theater.

This particular anthology seems to have been printed with the sole purpose of preserving comedies that were performed at this historic theater in the late 1770s. Appreciators of the London theater will find this anthology offers an insightful look into early forms of the Georgian theater.

Title page of "The Beggar's Opera" from the anthology "Comedy As it is Acted at the Theatres-Royal in Drury-Lane and Covent-Garden."
Title page of "The Beggar's Opera" from the anthology "Comedy As it is Acted at the Theatres-Royal in Drury-Lane and Covent-Garden."

Now open: “Literature and Sport” and “Contemporary Photographic Practice and the Archive”

Two new exhibitions, Literature and Sport and Contemporary Photographic Practice and the Archive open today at the Ransom Center.

"Literature and Sport" opens today at the Ransom Center.
"Literature and Sport" opens today at the Ransom Center.

Sport holds a sacred place in Western culture and literature. Writers as diverse as Ernest Hemingway, Willa Cather, Norman Mailer, Marianne Moore, Don DeLillo, Joyce Carol Oates, and David Foster Wallace have written about sport.

Drawn exclusively from the Ransom Center’s collections, Literature and Sport showcases the literature of sport through fiction, essays, poetry, and plays. Organized by sport, the exhibition highlights some of the finest examples of literary writing about baseball, football, boxing, tennis, cricket, bullfighting, and other sports. From Bernard Malamud’s The Natural to Norman Mailer’s The Fight, great literary works capture the appeal of sport and its ability to transform both the individual and society, all the while demonstrating how writers elevate language to literature.

"Contemporary Photographic Practice in the Archive" runs through August 4 at the Ransom Center.
"Contemporary Photographic Practice in the Archive" runs through August 4 at the Ransom Center.

Contemporary Photographic Practice and the Archive was created in cooperation with the Lakes Were Rivers collective, an Austin-based group of artists working in photography and video. Members of the collective created a body of work influenced in some way by the Ransom Center—its space, its purpose, its collections. Approximately 50 new works are displayed alongside Ransom Center collection materials chosen by the artists, including photographs by Ansel Adams and Man Ray, manuscripts from the E. E. Cummings archive, William Blake’s Songs of Innocence, an embellished Maurice Ravel score, and props from the Robert De Niro collection.

Both exhibitions are on display through August 4 and can be seen in the Ransom Center Galleries on Tuesdays through Fridays from 10 a.m. to 5 p.m., with extended Thursday hours to 7 p.m. On Saturdays and Sundays the galleries are open from noon to 5 p.m. The galleries are closed on Mondays.

Beginning June 18, free docent-led tours are offered on Tuesdays at noon, Thursdays at 6 p.m., Saturdays at 2 p.m., and Sundays at 2 p.m.

Join us for an “All-Star Evening,” the opening celebration for the summer exhibitions Literature and Sport and Contemporary Photographic Practice and the Archive, this Friday from 7 to 9 p.m.  Become a member now to receive complimentary admission and valet parking at this event. If you are not yet a member, tickets are available for $20 at the door (valet parking not included for non-members).