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Julia Alvarez to receive National Medal of the Arts

By Alicia Dietrich

Novelist, poet, and essayist Julia Alvarez will receive a 2013 National Medal of the Arts today “for her extraordinary storytelling.” The award will be presented by President Obama. The White House notes in the citation, “In poetry and in prose, Ms. Alvarez explores themes of identity, family, and cultural divides. She illustrates the complexity of navigating two worlds and reveals the human capacity for strength in the face of oppression.”

 

Alvarez’s archive resides at the Ransom Center and is currently being processed. Alvarez was born in New York City but raised in the Dominican Republic until she was 10. In 1960 her family was forced to flee the Dominican Republic when it was discovered that her father was involved in a plot to overthrow dictator Rafael Trujillo.

 

Much of Alvarez’s work is considered semi-autobiographical, drawing on her experiences as an immigrant and her bicultural identity. Alvarez’s unique experiences have shaped and infused her writing—from such award-winning novels as How the Garcia Girls Lost Their Accents and In the Time of the Butterflies to her poetry.

 

Alvarez’s extensive archive consists of manuscripts, correspondence, journals, and professional files. The manuscripts span her writing career and include fiction, nonfiction, poetry, essays, and unpublished works, often in multiple drafts.

 

Related content:

Q&A with Julia Alvarez

 

Image: Julia Alvarez speaks with students during a visit to the Ransom Center in March 2014. Photo by Pete Smith.

 

Ransom Center acquires Jon R. Jewett collection of Elizabeth Hardwick materials

By Megan Barnard

The Ransom Center recently acquired a collection of letters and photographs relating to novelist and essayist Elizabeth Hardwick (1916–2007), co-founder of The New York Review of Books and one of the most brilliant literary critics of the late-twentieth century. The newly acquired material complements Elizabeth Hardwick’s archive, which she donated to the Ransom Center in 1991.

 

This new material was acquired from Jon R. Jewett, a personal friend of Hardwick—or “Lizzie,” as her closest friends called her. They met in Castine, Maine, in the early 1980s, where Hardwick had a summer residence that she once shared with her former husband, the poet Robert Lowell.

 

The collection includes more than 20 handwritten letters from Hardwick to Jewett spanning their three decades of friendship. The letters showcase Hardwick’s sharp wit and are filled with details of her daily activities, reflections on current events, and kind words of advice for her friend. In a letter dated January 21, 1991, she writes of the Gulf War, “The situation is really bizarre indeed, no jobs and a war that is not over in a week, as expected. I can’t tear myself away from the TV, but I suppose the worst thing will be that it is all to become repetition, nothing new happening and so the great happening, the war itself, just becomes another little repetitive show.”

 

On April 10, 1994, in a letter peppered with typos, she offers valuable advice about editing and proofreading but self-reflexively notes, “I can’t proofread my own work. It’s embarrassing how many mistakes there are in something I have read more than a dozen times.” She concludes, “I am aware of all the mistakes in this letter, but it is a rush and even the typing room is such a mess I can hardly see the page.”

 

The correspondence in the collection is supplemented with a number of photographs and candid snapshots—including one of a frail but smiling Lizzie taken just days before her death in 2007.

 

Related content:

A Graduation Diploma: “The Eviction Notice Written in Latin”

 

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High Museum of Art’s “Dream Cars” exhibition features drawings, designs from Norman Bel Geddes collection

By Sarah Strohl

“We dream of cars that will float or fly, or run on energy from a laser beam, or travel close to the ground without wheels. Such research may border on the fantastic, but so did the idea of a carriage going about the country without a horse.” –The Ford Book of Styling, 1963

 

The High Museum of Art in Atlanta is currently hosting the exhibition Dream Cars through September 7, which includes items from the Ransom Center’s Norman Bel Geddes collection. The exhibition showcases the innovative and artistic design of rare vehicles from the early 1930s to 2010 and encompasses the evolution of the automobile from a horseless carriage to a sleek, highly functional speed machine. Dream Cars highlights designs and models from across Europe and the United States, including a blueprint, a photograph, and three drawings of Bel Geddes’s 1932 design, Motorcar No. 9.

 

The exhibition brings together 17 concept cars, including designs from Ferrari, Bugatti, General Motors, and Porsche. These vehicles are paired with conceptual drawings, patents, and scale models to demonstrate how imaginative designs and innovation changed the automobile from a basic, functional object to a symbol of limitless possibilities.

 

None of the vehicles and designs on display in this exhibition were ever intended for production. Rather, they represent the “dream” of future possibilities and highlight the talent and imagination of industrial designers.

 

Bel Geddes was an American theatrical and industrial designer who gained fame in the 1920s, ’30s, and ’40s. The Motorcar No. 9 model demonstrates his expertise in aerodynamics and streamlining as a means to modernism. The Ransom Center’s extensive Norman Bel Geddes archive includes a model of Motorcar No. 9 among other papers, designs, and artifacts that span 50 years.

 

Related content:

Video: Curator of Norman Bel Geddes exhibition discusses influence of the industrial designer

 

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Now open at the Wolfsonian: “I Have Seen The Future: Norman Bel Geddes Designs America”

By Sarah Strohl

The exhibition I Have Seen the Future: Norman Bel Geddes Designs America is now open at the Wolfsonian at Florida International University in Miami Beach, Florida.  Pulled mostly from the Ransom Center’s Bel Geddes archive, the exhibition originated in fall 2012 at the Ransom Center and was on view earlier this year at the Museum of the City of New York. Bringing together some 200 unique drawings, models, photographs, and films, this exhibition highlights Bel Geddes’s creativity and desire to transform American society through design.

 

Norman Bel Geddes (1893–1958) was an industrial and theatrical designer who gained fame in the 1920s, ’30s, and ’40s for his streamlined and futuristic innovations. His designs played a significant role in shaping America’s image as an innovative powerhouse and global leader into the future. One of his most famous undertakings was the unforgettable Futurama exhibition at the 1939–1940 New York World’s Fair.

 

I Have Seen the Future is on view at the Wolfsonian until September 28.

 

Image: Norman Bel Geddes, Motor Car No. 9 (without tail fin), ca. 1933.

 

Related content:

View the Norman Bel Geddes Designs America book

Curator of Norman Bel Geddes exhibition discusses influence of the industrial designer

Read an inside look at Bel Geddes’s design, Motorcar Number 9

Texas collection of comedias sueltas and Spanish theater available for research and in online database

By Jennifer Tisdale

The Texas Collection of Comedias Sueltas and Spanish Theater is available for research. Individual records for each suelta are also available in an online database, providing extensive information about the collection.

The collection includes more than 15,000 “comedias sueltas,” a generic term for plays published in small pamphlet format in Spain from the early seventeenth century through the early twentieth century. The materials at the Ransom Center have been described as one of the major collections of Spanish dramatic literature in suelta form in North America.

Within the collection, more than 2,500 authors were identified of sueltas and related works published between 1603 and late 1930s. Nearly 600 sueltas at the Cushing Library at Texas A&M University were also cataloged as part of the project.

The Council on Library and Information Resources (CLIR) funded the cataloging project “Revealing Texas Collections of Comedias Sueltas” under its “Cataloging Hidden Special Collections and Archives” initiative. CLIR is a nonprofit organization that works with libraries, cultural institutions, and communities of higher learning to enhance research and teaching.

On September 29-30, the Department of Spanish and Portuguese at The University of Texas at Austin, the Department of Hispanic Studies at Texas A&M University and the Ransom Center will host the conference “The State of the Comedia Suelta: Celebrating the Texas Collections.” Held at the Ransom Center, the conference will highlight writers and/or works represented in the collection. Researchers from a variety of fields — including Hispanic literature and culture, history of the book, music, theater, bibliography, conservation, and library science — are expected to attend.

Read more information about the project. The news is also available in Spanish.

Alan Furst’s “Midnight in Europe” now available

By Sarah Strohl

Alan Furst, a New York Times bestselling author whose archive resides at the Harry Ransom Center, recently published his latest novel Midnight in Europe.

 

Furst is widely recognized for his historical espionage novels set in the World War II era. His 2008 novel, The Spies of Warsaw, was adapted into a miniseries starring David Tenant and Janet Montgomery that premiered on the BBC in 2013. His works have been translated into 18 languages, and in 2011 he received the Peggy V. Helmerich Distinguished Author Award.

 

Midnight in Europe is set in the outskirts of wartime Paris in 1938. Cristián Ferrar, a Spanish émigré and lawyer at an international law firm risks his life in a mission to help supply weapons to the Republic’s army. He is joined in his efforts by a motley crew of idealists, gangsters, arms traders, aristocrats, and spies, all compelled by different reasons to fight for righteous principles and democracy.

 

To celebrate the release of Midnight in Europe, the Ransom Center will be giving away a signed copy of Furst’s 2008 novel Spies of the Balkans. To be eligible to win, tweet a link to this blog post and mention @ransomcenter. If you’re not on Twitter, send an email to hrcgiveaway@gmail.com with “Alan Furst” in the subject line. By entering via email, you are also opting-in to receive the Ransom Center’s monthly email newsletter. All tweets and emails must be sent by Thursday, June 26, at midnight CST, and winner will be drawn and notified on Friday.

 

Related content:

Listen to Alan Furst reading from The Spies of Warsaw

 

Watch video interviews with Alan Furst

 

View a list of recommended reading by Alan Furst

 

Writers Reflect with Alan Furst

 

Read “The Alan Furst Papers: Interrogation of a Spy Novelist

 

Image: Cover of Alan Furst’s novel Midnight in Europe.

Video showcases exhibition “The World At War: 1914–1918”

By Gabrielle Inhofe

A recent Longhorn Network video featured the Ransom Center’s exhibition The World At War: 1914–1918 as part of The Alcalde’s magazine program. The video includes interviews with exhibition co-curators Jean Cannon and Elizabeth Garver, as well as Professor Steven Isenberg, who taught a class on World War I this spring at The University of Texas at Austin.

 

The three discuss how the Great War shaped modern politics and conflict, paved the way for World War II, introduced new technologies, and changed attitudes about the nature of war. The exhibit, which runs through August 3, draws on the Ransom Center’s extensive collections to illuminate the experience of the war from the point of view of its participants and observers, preserved through letters, drafts, and diaries; memoirs and novels; and photographs and propaganda posters, prints, and more.

New collections of Bernard Malamud’s work released

By Jane Robbins Mize

Novelist Bernard Malamud was one of the most significant Jewish American writers of the twentieth century, and this year, to honor and celebrate his life and work, The Library of America has released two collections of Malamud’s fiction: Novels and Stories of the 1940s & 50s and Novels and Stories of the 1960s. A third collection is forthcoming.

 

The Ransom Center is home to an important archive of Malamud’s work

 

Born in Brooklyn on April 26, 1914, to Russian Jewish immigrants, Malamud earned his Master’s degree from Columbia University and taught writing at Oregon State University and Bennington College. His first novel, The Natural (1952), was adapted into a film starring Robert Redford in 1984. His fourth novel, The Fixer, won both the National Book Award and Pulitzer Prize in 1966. Malamud also published a total of six other novels and 65 short stories throughout his career.

 

Malamud’s archive includes correspondence, articles, essays, notebooks, manuscripts, interviews, and more.

 

Related content:

Additional Bernard Malamud letters, typescripts acquired by Ransom Center

Acclaimed writer Ian McEwan’s archive acquired

By Alicia Dietrich

The Harry Ransom Center has acquired the archive of writer Ian McEwan (b. 1948), one of the most distinguished novelists of his generation.  The archive documents McEwan’s career and includes early material from his childhood and adolescence, as well as his earliest abandoned stories dating from the late-1960s and early 1970s. The archive includes drafts of all of McEwan’s later published works including his critically acclaimed novels Amsterdam and Atonement up through On Chesil Beach and Solar.

 

McEwan composed his novels partly in longhand, typically in uniform green, spiral-bound notebooks, and party on the computer. After an initial draft, he would transfer the entire text to a computer, printing out multiple drafts, which he would revise further by hand. McEwan’s Booker Prize-winning novel Amsterdam is represented in the archive in its earliest form as a handwritten notebook, followed by two further revised drafts. McEwan often notes details of composition in these drafts, including their completion or revision dates.

 

“The writer tends to forget rapidly the routes he or she discarded along the way,” McEwan said, commenting on his manuscripts. “Sometimes the path towards a finished novel takes surprising twists. It’s rarely an even development. For example, my novel Atonement started out as a science fiction story set two or three centuries into the future.”

 

Read a Q&A with McEwan, where he shares insights about his archive, writing process, and more.

 

McEwan’s archive will reside at the Ransom Center alongside the archives of many of his peers and contemporaries, including his longtime friend Julian Barnes, as well as J. M. Coetzee, Doris Lessing, Jayne Anne Phillips, and Tom Stoppard. The McEwan materials will be accessible once processed and cataloged.

 

McEwan will visit Austin and speak at the university on Sept. 10. More details about this event will be posted here later this summer.

 

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Sebastian Barry’s newest novel “The Temporary Gentleman” now available

By Jane Robbins Mize

Sebastian Barry, whose archive resides at the Ransom Center, has written a new novel, The Temporary Gentleman, the latest of six distinct yet related books based on the characters and events of Barry’s own family.

 

The Irish poet, novelist, and playwright is the author of the critically acclaimed play The Steward of Chirstendom (1995) and the novel A Long Long Way, which was a finalist for the 2005 Man Booker Prize. His first novel, Macker’s Garden, was published in 1982, two years before he attended the Iowa Writer’s Workshop as a Fellow at the International Writing Program.

 

The Temporary Gentleman is written from the perspective of an Irishman living in Accra, Ghana, in 1957 as he urgently reflects on his life and work. The novel explores its narrator’s past serving in World War II, working as an engineer and UN observer, and struggling to maintain his marriage.

 

Barry visited the Harry Ransom Center in 2006 to meet with archivists about his then-recently acquired papers. The collection includes drafts of the writer’s published and unpublished works as well as manuscripts, letters, and more.

 

To celebrate the release of The Temporary Gentleman, the Ransom Center will be giving away a signed copy of Barry’s previous novel, The Secret Scripture (2008). To be eligible to win, tweet a link to this blog post and mention @ransomcenter. If you’re not on Twitter, send an email to hrcgiveaway(at)gmail.com with “Sebastian Barry” in the subject line. All tweets and emails must be sent by midnight CST tonight, and winners will be drawn and notified tomorrow, May 14. [Update: This giveaway is closed, and the winner has been notified.]

 

Related content:

L.A. theater company resurrects deleted monologue in Sebastian Barry’s “The Steward of Christendom”

Writers Reflect with Sebastian Barry

Listen to Sebastian Barry read from The Secret Scripture