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First Photograph to travel to Europe for first time in 50 years

Joseph Nicéphore Niépce's 'View from the Window at Le Gras' c. 1826. Photo by J. Paul Getty Museum.
Joseph Nicéphore Niépce's 'View from the Window at Le Gras' c. 1826. Photo by J. Paul Getty Museum.

The First Photograph will be loaned, along with 119 other images and photography-related items from the Harry Ransom Center’s Gernsheim collection, to the Reiss Englehorn Museum in Mannheim, Germany, for the exhibition “The Birth of Photography-Highlights of the Helmut Gernsheim Collection.” The exhibition runs from September 9 through January 6, 2013.

The First Photograph has been removed from display at the Ransom Center to be prepared for its departure in July. The First Photograph will be back on display at the Ransom Center in February 2013.

The First Photograph was acquired by the Ransom Center as part of the Gernsheim collection from Helmut and Alison Gernsheim in 1963. Taken in 1826 or 1827, Joseph Nicéphore Niépce’s View from the Window at Le Gras depicts the view from an upstairs window at Niépce’s estate, Le Gras, which is in the Burgundy region of France. Niépce’s photograph represents the foundation of today’s photography, film, and other media arts.

The First Photograph forms the cornerstone of Helmut Gernsheim’s photographic collection, which was the largest in the world when the Ransom Center acquired it in 1963. The Gernsheim collection is one of the seminal collections in the United States of the history of photography and contains an unparalleled range of more than 35,000 images. Its encyclopedic scope—as well as the expertise with which the Gernsheims assembled the collection — makes the Gernsheim collection one of the world’s premier sources for the study and appreciation of photography

In 2002, the Forum International Photographie at the Reiss Engelhorn Museum acquired Gernsheim’s later collection of contemporary photography, along with his own photographs and archive. For the first time in half a century, major portions of both Gernsheim collections are being reunited: the historical material housed in the Ransom Center and the contemporary collection in the Forum International Photographie at the Reiss Engelhorn Museum.

While the First Photograph is on loan, the photographic print View from the Window at Le Gras, 1826, 2009 by Adam Schreiber will occupy the display in the Ransom Center’s lobby. The photograph depicts the Niepce plate in situ in the museum display, as photographed by Schreiber in 2009. Schreiber is a member of the Lakes Were Rivers artist collective, a group of artists who work primarily in photography and video. In summer 2013, the Ransom Center will host an exhibition in which members of the collective will display their original works paired with Ransom Center collection material that inspired them.

Old Inspires the New

Austin-based Lakes Were Rivers, a group of 11 artists working in photography and video, recently collaborated with the Ransom Center to pair works of its artists with images from the Center’s photography collection, resulting in (Re)Collection, an exhibition in conjunction with the East Austin Studio Tour.

Each artist selected an image from the Ransom’s Center photography collections to be scanned and printed as an 8×10 reproduction. In the exhibition, these collection images are paired with a representative work made by members of Lakes Were Rivers, generating a complex and varied dialogue about the traditions and potential of photography as a medium.

Re(Collection) is on view this Saturday and Sunday, November 19 and 20, from 11 a.m. to 6 p.m. at 1319 Rosewood Avenue. Members of Lakes Were Rivers will serve as gallery attendants and will be available to discuss the show with visitors.

Some of the pairings appear below.

Adam Schreiber. Rirkrit Tiravanija, Untitled, 1999. Archival inkjet print. 2011.
Adam Schreiber. Rirkrit Tiravanija, Untitled, 1999. Archival inkjet print. 2011.
Paul Louis Marie Fabre-Domergue. Octopus Vulgaris, 1899. La photographique des animaux aquatques. Harry Ransom Center.
Paul Louis Marie Fabre-Domergue. Octopus Vulgaris, 1899. La photographique des animaux aquatques. Harry Ransom Center.

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Ben Ruggiero. Windows as Viewed #71: Migrant Mother, Dorothea Lange 1936. Window etching cyanotype contact print. Harry Ransom Center. November 11, 2011.
Ben Ruggiero. Windows as Viewed #71: Migrant Mother, Dorothea Lange 1936. Window etching cyanotype contact print. Harry Ransom Center. November 11, 2011.
Dorothea Lange. Destitute peapickers in California; a 32 year old mother of seven children. February 1936. Harry Ransom Center.
Dorothea Lange. Destitute peapickers in California; a 32 year old mother of seven children. February 1936. Harry Ransom Center.

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Jessica Mallios. Motif. Archival inkjet print. 2011.
Jessica Mallios. Motif. Archival inkjet print. 2011.
Philip H. Delamotte. Colossal head of Bavaria. Photographic Views of the Progress of the Crystal Palace, Sydenham. London: Crystal Palace Company, 1855. Harry Ransom Center.
Philip H. Delamotte. Colossal head of Bavaria. Photographic Views of the Progress of the Crystal Palace, Sydenham. London: Crystal Palace Company, 1855. Harry Ransom Center.

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Mike Osborne. Wendover, Utah. Archival inkjet print. 2011.
Mike Osborne. Wendover, Utah. Archival inkjet print. 2011.
Francis Frith. The Pyramids of Dahshoor
Lower Egypt, Thebes, and the Pyramids
1862 (ca.). Harry Ransom Center.
Francis Frith. The Pyramids of Dahshoor
Lower Egypt, Thebes, and the Pyramids
1862 (ca.). Harry Ransom Center.