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Win tickets to "Face to Face" exhibition opening

Arnold Newman, "Marilyn Monroe and Carl Sandburg" (Detail), 1962. © Arnold Newman/Getty Images.
Arnold Newman, "Marilyn Monroe and Carl Sandburg" (Detail), 1962. © Arnold Newman/Getty Images.

The galleries are being transformed in preparation for the Ransom Center’s new photography exhibition Arnold Newman: Masterclass. We hope you will join us for “Face to Face,” the opening celebration for the exhibition from 7 to 9 p.m. on Friday, February 15.

Sip on refreshments from Austin Wine Merchant and Dripping Springs Vodka, pose in an Arnold Newman-inspired analog photo booth created by the Lomography Gallery Store, enjoy treats at The Cupcake Bar’s dessert station, and view screenings of Arnold Newman interviews and film clips.

Be among the first to explore photographer Arnold Newman’s iconic portraits of celebrities and cultural figures including John F. Kennedy, Salvador Dalí, Ansel Adams, and Pablo Picasso, among others. Newman’s archive resides at the Ransom Center.

Guests will have the opportunity to enter a drawing for a Newman-inspired prize package that includes brunch for two at Fonda San Miguel, a stay at the Heywood Hotel in East Austin, a darkroom class with photographer Anthony Maddaloni, a Lomography camera, a membership to Austin Center for Photography, and more.

Ransom Center members enjoy complimentary admission and valet parking at this event. If you are not yet a member, you may join or order individual $20 tickets at the door. Tickets are also available online until Friday, February 8. Valet parking is not included for non-members.

The Ransom Center is giving away a pair of tickets to “Face to Face.” Email hrcgiveaway@gmail.com with “Arnold Newman” in the subject line by midnight CST tonight to be entered in a drawing for complimentary admission for two. The winner will be notified by email on Monday, February 11.

Special thanks to these sponsors: Anthony Maddaloni Photography, Austin Center for Photography, Austin Wine Merchant, Dripping Springs Vodka, Fonda San Miguel, Heywood Hotel, Lomography Gallery Store, and Thames & Hudson.

Photo Friday

Each Friday, the Ransom Center shares photos from throughout the week that highlight a range of activities and collection holdings. We hope you enjoy these photos that reveal some of the everyday happenings at the Center.

Students in Department of Theatre and Dance Professor Susan Zeder’s 'Playwriting' course visit the Ransom Center’s exhibition 'Becoming Tennessee Williams.' Photo by Anthony Maddaloni.
Students in Department of Theatre and Dance Professor Susan Zeder’s 'Playwriting' course visit the Ransom Center’s exhibition 'Becoming Tennessee Williams.' Photo by Anthony Maddaloni.
Students in Department of Theatre and Dance Professor Susan Zeder’s 'Playwriting' course visit the Ransom Center’s exhibition 'Becoming Tennessee Williams.' Photo by Anthony Maddaloni.
Students in Department of Theatre and Dance Professor Susan Zeder’s 'Playwriting' course visit the Ransom Center’s exhibition 'Becoming Tennessee Williams.' Photo by Anthony Maddaloni.
Eli Reed, Magnum photographer and Professor of Photojournalism at The University of Texas at Austin, spoke about a selection of his work to the Ransom Center’s Friends of Photography. Photo by Anthony Maddaloni.
Eli Reed, Magnum photographer and Professor of Photojournalism at The University of Texas at Austin, spoke about a selection of his work to the Ransom Center’s Friends of Photography. Photo by Anthony Maddaloni.
Students in Professors Robert Abzug and Steven Hoelscher’s graduate seminar 'Photography in American Culture' view materials from the Ransom Center’s photography collections, including photos from the Arnold Newman archive. Photo by Anthony Maddaloni.
Students in Professors Robert Abzug and Steven Hoelscher’s graduate seminar 'Photography in American Culture' view materials from the Ransom Center’s photography collections, including photos from the Arnold Newman archive. Photo by Anthony Maddaloni.

Photo Friday

Each Friday, the Ransom Center shares photos from throughout the week that highlight a range of activities and collection holdings. We hope you enjoy these photos that reveal some of the everyday happenings at the Center.

Norman Mailer’s paper-clipped and marked-up copy of “American Tragedy” by Lawrence Schiller and James Willwerth. Photo by Pete Smith.
Norman Mailer’s paper-clipped and marked-up copy of “American Tragedy” by Lawrence Schiller and James Willwerth. Photo by Pete Smith.
Additional materials for the Norman Mailer papers were received and inspected. Photo by Pete Smith.
Additional materials for the Norman Mailer papers were received and inspected. Photo by Pete Smith.
Students in the ‘Culture Unbound’ exhibition, specifically in the reading nook filled with books featured in the exhibition. Photo by Anthony Maddaloni.
Students in the ‘Culture Unbound’ exhibition, specifically in the reading nook filled with books featured in the exhibition. Photo by Anthony Maddaloni.
A student walks by the exterior banner for the exhibition 'Becoming Tennessee Williams.' Photo by Anthony Maddaloni.
A student walks by the exterior banner for the exhibition 'Becoming Tennessee Williams.' Photo by Anthony Maddaloni.
Undergraduate intern Kelsey Harmon shows some of John Fowles’ personal effects: his desk, typewriter, and a set of brass knuckles. The desk and its contents are being prepared to go on exhibit in the Center’s Reading and Viewing Room later this spring. Photo by Anthony Maddaloni.
Undergraduate intern Kelsey Harmon shows some of John Fowles’ personal effects: his desk, typewriter, and a set of brass knuckles. The desk and its contents are being prepared to go on exhibit in the Center’s Reading and Viewing Room later this spring. Photo by Anthony Maddaloni.

Photo Friday

Each Friday, the Ransom Center shares photos from throughout the week that highlight a range of activities and collection holdings. We hope you enjoy these photos that reveal some of the everyday happenings at the Center.

Gallery light fixtures on rolling storage rack. Photo by Anthony Maddaloni.
Gallery light fixtures on rolling storage rack. Photo by Anthony Maddaloni.

Vinyl graphics are installed in the upcoming exhibition “Becoming Tennessee Williams,” which opens on Tuesday, February 1. Photo by Anthony Maddaloni.
Vinyl graphics are installed in the upcoming exhibition “Becoming Tennessee Williams,” which opens on Tuesday, February 1. Photo by Anthony Maddaloni.

Vinyl graphics are installed in the upcoming exhibition “Becoming Tennessee Williams,” which opens on Tuesday, February 1. Photo by Anthony Maddaloni.
Vinyl graphics are installed in the upcoming exhibition “Becoming Tennessee Williams,” which opens on Tuesday, February 1. Photo by Anthony Maddaloni.

Vinyl graphics are installed in the upcoming exhibition “Becoming Tennessee Williams,” which opens on Tuesday, February 1. Photo by Anthony Maddaloni.
Vinyl graphics are installed in the upcoming exhibition “Becoming Tennessee Williams,” which opens on Tuesday, February 1. Photo by Anthony Maddaloni.

Photo Friday

Each Friday, the Ransom Center shares photos from throughout the week that highlight a range of activities and collection holdings. We hope you enjoy these photos that reveal some of the everyday happenings at the Center.

Assistant Archivist Nicole Davis (left) and Archivist Jennifer Hecker work on cataloging the papers of lawyer Morris Ernst. Some of the more than 900 processed and unprocessed boxes of the Ernst collection surround Davis and Hecker as they work on making the collection accessible in fall 2011. Photo by Anthony Maddaloni.
Assistant Archivist Nicole Davis (left) and Archivist Jennifer Hecker work on cataloging the papers of lawyer Morris Ernst. Some of the more than 900 processed and unprocessed boxes of the Ernst collection surround Davis and Hecker as they work on making the collection accessible in fall 2011. Photo by Anthony Maddaloni.
Curator of Photography David Coleman (left) and Bill Ewing, Director of Curatorial Projects for Thames & Hudson, work with the Arnold Newman collection for a future project with the Foundation for the Exhibition of Photography. Photo by Anthony Maddaloni.
Curator of Photography David Coleman (left) and Bill Ewing, Director of Curatorial Projects for Thames & Hudson, work with the Arnold Newman collection for a future project with the Foundation for the Exhibition of Photography. Photo by Anthony Maddaloni.
Archivist Amy Armstrong works on cataloging the collection of screenwriter and director Paul Schrader, locating a costume worn by Willem Dafoe in ‘Light Sleeper’ (1992). Photo by Anthony Maddaloni.
Archivist Amy Armstrong works on cataloging the collection of screenwriter and director Paul Schrader, locating a costume worn by Willem Dafoe in ‘Light Sleeper’ (1992). Photo by Anthony Maddaloni.
Files that are being cataloged from the collection of screenwriter and director Paul Schrader. Photo by Anthony Maddaloni.
Files that are being cataloged from the collection of screenwriter and director Paul Schrader. Photo by Anthony Maddaloni.
Curator of Academic Affairs Danielle Sigler (center) shares collection items for ‘Banned, Burned, Seized, and Censored,’ a 2011 fall exhibition that examines the multi-faceted machinery of literary censorship during the inter war years. Photo by Anthony Maddaloni.
Curator of Academic Affairs Danielle Sigler (center) shares collection items for ‘Banned, Burned, Seized, and Censored,’ a 2011 fall exhibition that examines the multi-faceted machinery of literary censorship during the inter war years. Photo by Anthony Maddaloni.

Photo Friday

Each Friday, the Ransom Center shares photos from throughout the week that highlight a range of activities and collection holdings. We hope you enjoy these photos that reveal some of the everyday happenings at the Center.

Cameras on display in the exhibition ‘Discovering the Language of Photography: The Gernsheim Collection.’  Shown here are cameras ranging in date from 1886 to 1925, including the first Kodak camera and a circular nineteenth-century detective camera that was used while being concealed under a jacket or vest. Photo by Anthony Maddaloni.
Cameras on display in the exhibition ‘Discovering the Language of Photography: The Gernsheim Collection.’ Shown here are cameras ranging in date from 1886 to 1925, including the first Kodak camera and a circular nineteenth-century detective camera that was used while being concealed under a jacket or vest. Photo by Anthony Maddaloni.
Currently on display, this portable folding camera obscura, ca. 1750, can be disassembled and stored in the box that serves as its base. The periscope, which comes with separate lenses for distant and near subjects, contains a mirror that reflects the light at a 45-degree angle onto the floor of the base. This projected image may be viewed through a large aperture on the side, and an artist could reach inside through a cloth sleeve to trace the projected image onto a sheet of paper. Photo by Anthony Maddaloni.
Currently on display, this portable folding camera obscura, ca. 1750, can be disassembled and stored in the box that serves as its base. The periscope, which comes with separate lenses for distant and near subjects, contains a mirror that reflects the light at a 45-degree angle onto the floor of the base. This projected image may be viewed through a large aperture on the side, and an artist could reach inside through a cloth sleeve to trace the projected image onto a sheet of paper. Photo by Anthony Maddaloni.
Hal Erickson, a University of Utah Health Sciences Center researcher, visited the Ransom Center to apply nondestructive forensic techniques for recovering faded, erased, redacted, obscured or otherwise lost content.  Here, Erickson is photographing a passage that was redacted, and then further obscured with adhered paper bearing replacement text, by Thomas Hammond in a manuscript volume of his ‘Memoirs.’  Photo by Anthony Maddaloni.
Hal Erickson, a University of Utah Health Sciences Center researcher, visited the Ransom Center to apply nondestructive forensic techniques for recovering faded, erased, redacted, obscured or otherwise lost content. Here, Erickson is photographing a passage that was redacted, and then further obscured with adhered paper bearing replacement text, by Thomas Hammond in a manuscript volume of his ‘Memoirs.’ Photo by Anthony Maddaloni.

Photo Friday

Each Friday, the Ransom Center shares photos from throughout the week that highlight a range of activities and collection holdings. We hope you enjoy these photos that reveal some of the everyday happenings at the Center.

Undergraduate Elizabeth Phan (left) and Apryl Voskamp, manager of preservation housing, work with collection items coming out of cold storage.  Because there had been evidence of bugs, Phan and Voskamp are covering the items with thin mylar, where they will then sit in constructed trays to observe any potential future evidence of bug activity. Photo by Anthony Maddaloni.
Undergraduate Elizabeth Phan (left) and Apryl Voskamp, manager of preservation housing, work with collection items coming out of cold storage. Because there had been evidence of bugs, Phan and Voskamp are covering the items with thin mylar, where they will then sit in constructed trays to observe any potential future evidence of bug activity. Photo by Anthony Maddaloni.
David Coleman, curator of photography, leads a gallery tour of the exhibition ‘Discovering the Language of Photography: The Gernsheim Collection.’ Photo by Anthony Maddaloni.
David Coleman, curator of photography, leads a gallery tour of the exhibition ‘Discovering the Language of Photography: The Gernsheim Collection.’ Photo by Anthony Maddaloni.
Volunteer paper conservator Lauren Morales shapes a toned insert paper to fill in the losses of an original 1889 English circus poster, part of the performing arts collection. The losses (white spaces) are visible in the area of the horse (lower left of the image along a horizontal fold line) and around the orange-colored insert for the man's jacket. Photo by Anthony Maddaloni.
Volunteer paper conservator Lauren Morales shapes a toned insert paper to fill in the losses of an original 1889 English circus poster, part of the performing arts collection. The losses (white spaces) are visible in the area of the horse (lower left of the image along a horizontal fold line) and around the orange-colored insert for the man's jacket. Photo by Anthony Maddaloni.

Photo Friday

Each Friday, the Ransom Center shares photos from throughout the week that highlight a range of activities and collection holdings. We hope you enjoy these photos that reveal some of the everyday happenings at the Center.

Actors Adam Couperthwaite and Robbie Ann Darby perform in ‘No Snakes in This Grass,’ a one-act play by James Magnuson, director of the Michener Center for Writers. Prior to Thanksgiving, The University of Texas at Austin Graduate School and the James A. Michener Center for Writers hosted the event outside the Ransom Center. Photo by Pete Smith.
Actors Adam Couperthwaite and Robbie Ann Darby perform in ‘No Snakes in This Grass,’ a one-act play by James Magnuson, director of the Michener Center for Writers. Prior to Thanksgiving, The University of Texas at Austin Graduate School and the James A. Michener Center for Writers hosted the event outside the Ransom Center. Photo by Pete Smith.
Students following the program song list that Thomas G. Palaima created for the Ransom Center’s Poetry on the Plaza 'Harmonica Bob: The Poetry of Bob Dylan.' Palaima is the Dickson Centennial Professor of Classics and Director of the Program in Aegean Scripts and Prehistory at The University of Texas at Austin. Photo by Anthony Maddaloni.
Students following the program song list that Thomas G. Palaima created for the Ransom Center’s Poetry on the Plaza 'Harmonica Bob: The Poetry of Bob Dylan.' Palaima is the Dickson Centennial Professor of Classics and Director of the Program in Aegean Scripts and Prehistory at The University of Texas at Austin. Photo by Anthony Maddaloni.
Judith Freeman, author of 'The Long Embrace: Raymond Chandler and The Woman He Loved,' researches the archive of jazz journalist and historian Ross Russell. Freeman is a recipient of a fellowship funded by the Erle Stanley Gardner Endowment for Mystery Studies. Photo by Anthony Maddaloni.
Judith Freeman, author of 'The Long Embrace: Raymond Chandler and The Woman He Loved,' researches the archive of jazz journalist and historian Ross Russell. Freeman is a recipient of a fellowship funded by the Erle Stanley Gardner Endowment for Mystery Studies. Photo by Anthony Maddaloni.

Photo Friday

Each Friday, the Ransom Center shares photos from throughout the week that highlight a range of activities and collection holdings. We hope you enjoy these photos that reveal some of the everyday happenings at the Center.

Ransom Center curators Steve Wilson (far left) and Jill Morena (second from right) discuss future collaboration with the University’s School of Human Ecology to analyze fiber content and the construction history of the green curtain dress from ‘Gone With The Wind.’ University colleagues from Human Ecology include from left, Dr. Bugao Xu, Professor in the Division of Textiles and Apparel; Dr. Kay Jay, Director of the Historical Textiles and Apparel Collection; Dr. Sheldon Ekland-Olson, Director of the school; and Nicole Villarreal, Human Ecology graduate student. Photo by Anthony Maddaloni.
Ransom Center curators Steve Wilson (far left) and Jill Morena (second from right) discuss future collaboration with the University’s School of Human Ecology to analyze fiber content and the construction history of the green curtain dress from ‘Gone With The Wind.’ University colleagues from Human Ecology include from left, Dr. Bugao Xu, Professor in the Division of Textiles and Apparel; Dr. Kay Jay, Director of the Historical Textiles and Apparel Collection; Dr. Sheldon Ekland-Olson, Director of the school; and Nicole Villarreal, Human Ecology graduate student. Photo by Anthony Maddaloni.
Ransom Center photographer Anthony Maddaloni photographs the boxes of the final page proofs for James Joyce's 'Ulysses' for an upcoming newsletter feature. Photo by Pete Smith.
Ransom Center photographer Anthony Maddaloni photographs the boxes of the final page proofs for James Joyce's 'Ulysses' for an upcoming newsletter feature. Photo by Pete Smith.
Associate Curator of Performing Arts Helen Adair examines an original costume design by William Nicholson for the title role in ‘Peter Pan,’ first performed at the Duke of York’s Theatre in 1904. The drawing, located in the records of the London costumier B. J. Simmons & Co., was pulled for ‘Design Skills: Costume,’ a class in the Department of Theatre and Dance. Photo by Pete Smith.
Associate Curator of Performing Arts Helen Adair examines an original costume design by William Nicholson for the title role in ‘Peter Pan,’ first performed at the Duke of York’s Theatre in 1904. The drawing, located in the records of the London costumier B. J. Simmons & Co., was pulled for ‘Design Skills: Costume,’ a class in the Department of Theatre and Dance. Photo by Pete Smith.
Fellow Jeffrey McCarthy discusses collections that he is researching for “Green Modernism.” McCarthy, recipient of a fellowship funded by the Andrew W. Mellon Foundation Research Fellowship Endowment, was one of five fellows that shared their research during an informal lunchtime discussion. Photo by Anthony Maddaloni.
Fellow Jeffrey McCarthy discusses collections that he is researching for “Green Modernism.” McCarthy, recipient of a fellowship funded by the Andrew W. Mellon Foundation Research Fellowship Endowment, was one of five fellows that shared their research during an informal lunchtime discussion. Photo by Anthony Maddaloni.

Photo Friday

Each Friday, the Ransom Center shares photos from throughout the week that highlight a range of activities and collection holdings. We hope you enjoy these photos that reveal some of the everyday happenings at the Center.

Ben Ruggiero sensitizes paper in preparation to create a photogenic drawing as part of 'The Colorful Print: Photography before 1843' workshop at the Ransom Center. Taught by artist-educators and historians Mark Osterman and France Scully Osterman, participants made their own prints using 19th-century chemistry and techniques. Photo by Anthony Maddaloni.
Ben Ruggiero sensitizes paper in preparation to create a photogenic drawing as part of 'The Colorful Print: Photography before 1843' workshop at the Ransom Center. Taught by artist-educators and historians Mark Osterman and France Scully Osterman, participants made their own prints using 19th-century chemistry and techniques. Photo by Anthony Maddaloni.
Associate Director for Exhibitions Cathy Henderson (far left) led a tour of restricted-access areas of the building, including collection storage and the cataloging, technology, and conservation departments, for Ransom Center members at the Guild level and above. Photo by Anthony Maddaloni.
Associate Director for Exhibitions Cathy Henderson (far left) led a tour of restricted-access areas of the building, including collection storage and the cataloging, technology, and conservation departments, for Ransom Center members at the Guild level and above. Photo by Anthony Maddaloni.