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How the David Foster Wallace archive found a home at the Ransom Center

By Megan Barnard

Materials and books from David Foster Wallace archive. Photo by Anthony Maddaloni.
Materials and books from David Foster Wallace archive. Photo by Anthony Maddaloni.
The journey an archive takes from an author’s desk to the Ransom Center is often long and circuitous. The archive of David Foster Wallace arrived at the Ransom Center in the last days of 2009, but the earliest seeds of the acquisition were sown years before.

Because of the Ransom Center’s strong collections in contemporary literature, our curators and staff keep careful watch on promising, young writers. Over the past 20 years, we have built a list of hundreds of contemporary writers we follow, and we collect first editions of all their books. David Foster Wallace was added to this list early in his career. As we watched his career progress, it became apparent that he was one of the great talents of his generation.

We had our first glimpse into Wallace’s creative process in 2005 with our acquisition of the papers of Don DeLillo. Unexpectedly, the archive included a small cache of letters between Wallace and DeLillo, a correspondence initiated by Wallace when he was struggling through his colossal novel, Infinite Jest. Wallace’s letters show a writer who was deliberate, funny, and often uncertain, but most clearly, they show a writer who took painstaking care with his art.

In 2006, after reading Wallace’s essay on tennis player Roger Federer in The New York Times, Thomas F. Staley, the Director of the Ransom Center and an avid tennis player, wrote to Wallace to inquire about his archive, invite him to visit the Center, and challenge him to a friendly match of tennis. For years Wallace had been among the top names on our wish list of potential speakers—a long-shot, of course, for a writer who made few public appearances. The letter went unanswered.

Several weeks after the shocking news of Wallace’s death, we wrote to his literary agent, Bonnie Nadell, to express how saddened we were at the Ransom Center by this tragic loss. We also expressed our hope that Wallace’s papers would be preserved somewhere—anywhere—so that his remarkable contributions to our culture could be studied for generations to come.

Several months later, we were contacted by a bookseller representing Wallace’s literary estate, and we began the negotiations that led to the eventual arrival of Wallace’s archive at the Ransom Center. This long journey, however, has not quite come to an end. Wallace’s papers related to his final book, The Pale King, though part of the archive acquired by the Ransom Center, will remain with publisher Little, Brown until the book’s release, which is scheduled for April 2011. After the book’s release, the papers, notes, and computer disks related to this novel Wallace never fully completed will be reunited with his archive at the Ransom Center. If these materials are anything like the papers already here, they will be a fascinating and rich resource for students and scholars.

David Mamet papers now open for research

By Alicia Dietrich

The papers of David Mamet, author of more than 50 plays and 25 screenplays that have earned him a Pulitzer Prize, Oscar nominations, and a Tony Award, are now open at the Harry Ransom Center.

A finding aid for the collection can be accessed here.

The Ransom Center acquired Mamet’s archive in 2007. The collection is made up of more than 300 boxes of material, covers his entire career through 2007, and contains manuscripts, journals, office and production files, correspondence, and multiple drafts of each of his works, including the acclaimed plays American Buffalo (1975) and Glengarry Glen Ross (1982) and screenplays The Untouchables (1987), The Spanish Prisoner (1997), and Wag the Dog (1997). These materials record the writing and revision of all of his published texts, as well as several that are unpublished or unfinished.

 

Please click the thumbnails to view full-size images.

 

Cataloging the Morris L. Ernst papers

By Jennifer Hecker

In the spring of 2009, the Harry Ransom Center received a grant from the National Endowment for the Humanities to catalog the Morris L. Ernst papers. The collection will be closed to researchers until the project is completed in the fall of 2011. During that time, a team of one full-time project archivist and two part-time assistant archivists will arrange, describe, and preserve the Ernst papers. They will also produce a standard finding aid (or guide to the collection), which will be available online.

During the cataloging process, the archivists aim to achieve two goals: access and preservation. The Ernst papers, despite being uncataloged, have been used frequently since their acquisition. Several lists and indexes to the papers exist, but they are incomplete, unreliable, and difficult to navigate. This project will replace those various guides with a standardized, online finding aid, which will be searchable and generally much easier to access and use.

The other goal is to make the physical material last as long as possible, so that the information contained in the papers will remain a part of the cultural record. To this end, project staff will re-house the papers in acid-free boxes and folders. At-risk items—those that have been damaged by water, age, or other environmental factors—will be treated by the Center’s Conservation Department. The Ransom Center has a state-of-the-art lab where materials can be stabilized for long-term preservation.

When the cataloging project is complete, the Ernst papers will be housed with the Center’s other collections in secure temperature- and humidity-controlled stacks, ensuring the papers’ availability to researchers.