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Old Inspires the New

By Jennifer Tisdale

Austin-based Lakes Were Rivers, a group of 11 artists working in photography and video, recently collaborated with the Ransom Center to pair works of its artists with images from the Center’s photography collection, resulting in (Re)Collection, an exhibition in conjunction with the East Austin Studio Tour.

Each artist selected an image from the Ransom’s Center photography collections to be scanned and printed as an 8×10 reproduction. In the exhibition, these collection images are paired with a representative work made by members of Lakes Were Rivers, generating a complex and varied dialogue about the traditions and potential of photography as a medium.

Re(Collection) is on view this Saturday and Sunday, November 19 and 20, from 11 a.m. to 6 p.m. at 1319 Rosewood Avenue. Members of Lakes Were Rivers will serve as gallery attendants and will be available to discuss the show with visitors.

Some of the pairings appear below.

Adam Schreiber. Rirkrit Tiravanija, Untitled, 1999. Archival inkjet print. 2011.
Adam Schreiber. Rirkrit Tiravanija, Untitled, 1999. Archival inkjet print. 2011.
Paul Louis Marie Fabre-Domergue. Octopus Vulgaris, 1899. La photographique des animaux aquatques. Harry Ransom Center.
Paul Louis Marie Fabre-Domergue. Octopus Vulgaris, 1899. La photographique des animaux aquatques. Harry Ransom Center.

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Ben Ruggiero. Windows as Viewed #71: Migrant Mother, Dorothea Lange 1936. Window etching cyanotype contact print. Harry Ransom Center. November 11, 2011.
Ben Ruggiero. Windows as Viewed #71: Migrant Mother, Dorothea Lange 1936. Window etching cyanotype contact print. Harry Ransom Center. November 11, 2011.
Dorothea Lange. Destitute peapickers in California; a 32 year old mother of seven children. February 1936. Harry Ransom Center.
Dorothea Lange. Destitute peapickers in California; a 32 year old mother of seven children. February 1936. Harry Ransom Center.

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Jessica Mallios. Motif. Archival inkjet print. 2011.
Jessica Mallios. Motif. Archival inkjet print. 2011.
Philip H. Delamotte. Colossal head of Bavaria. Photographic Views of the Progress of the Crystal Palace, Sydenham. London: Crystal Palace Company, 1855. Harry Ransom Center.
Philip H. Delamotte. Colossal head of Bavaria. Photographic Views of the Progress of the Crystal Palace, Sydenham. London: Crystal Palace Company, 1855. Harry Ransom Center.

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Mike Osborne. Wendover, Utah. Archival inkjet print. 2011.
Mike Osborne. Wendover, Utah. Archival inkjet print. 2011.
Francis Frith. The Pyramids of Dahshoor
Lower Egypt, Thebes, and the Pyramids
1862 (ca.). Harry Ransom Center.
Francis Frith. The Pyramids of Dahshoor
Lower Egypt, Thebes, and the Pyramids
1862 (ca.). Harry Ransom Center.

Photo Friday

By Jennifer Tisdale

Each Friday, the Ransom Center shares photos from throughout the week that highlight a range of activities and collection holdings. We hope you enjoy these photos that reveal some of the everyday happenings at the Center.

Ben Ruggiero sensitizes paper in preparation to create a photogenic drawing as part of 'The Colorful Print: Photography before 1843' workshop at the Ransom Center. Taught by artist-educators and historians Mark Osterman and France Scully Osterman, participants made their own prints using 19th-century chemistry and techniques. Photo by Anthony Maddaloni.
Ben Ruggiero sensitizes paper in preparation to create a photogenic drawing as part of 'The Colorful Print: Photography before 1843' workshop at the Ransom Center. Taught by artist-educators and historians Mark Osterman and France Scully Osterman, participants made their own prints using 19th-century chemistry and techniques. Photo by Anthony Maddaloni.
Associate Director for Exhibitions Cathy Henderson (far left) led a tour of restricted-access areas of the building, including collection storage and the cataloging, technology, and conservation departments, for Ransom Center members at the Guild level and above. Photo by Anthony Maddaloni.
Associate Director for Exhibitions Cathy Henderson (far left) led a tour of restricted-access areas of the building, including collection storage and the cataloging, technology, and conservation departments, for Ransom Center members at the Guild level and above. Photo by Anthony Maddaloni.