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Photo Friday

By Kelsey McKinney

Each Friday, the Ransom Center shares photos from throughout the week that highlight a range of activities and collection holdings. We hope you enjoy these photos that reveal some of the everyday happenings at the Center.

Banners are installed on the lamp posts in the Ransom Center plaza. Photo by Pete Smith.
Banners are installed on the lamp posts in the Ransom Center plaza. Photo by Pete Smith.
Laurel Dundee, photo archivist at the Ransom Center, shelves newly cataloged negatives from the “New York Journal-American” collection in the cold-storage room. Photo by Kelsey McKinney.
Laurel Dundee, photo archivist at the Ransom Center, shelves newly cataloged negatives from the “New York Journal-American” collection in the cold-storage room. Photo by Kelsey McKinney.
Danielle Sigler and Ryan Hildebrand, co-curators of “The King James Bible: Its History and Influence,” speak about the exhibition at KUT Radio, Austin’s NPR affiliate. Photo by Jen Tisdale.
Danielle Sigler and Ryan Hildebrand, co-curators of “The King James Bible: Its History and Influence,” speak about the exhibition at KUT Radio, Austin’s NPR affiliate. Photo by Jen Tisdale.
Ransom Center staffer Bob Fuentes moves a pallet of materials that recently arrived to supplement the London Review of Books collection. Photo by Alicia Dietrich.
Ransom Center staffer Bob Fuentes moves a pallet of materials that recently arrived to supplement the London Review of Books collection. Photo by Alicia Dietrich.

From buildings to books to tattoos: The language of the King James Bible

By Alicia Dietrich

A production still of Robert De Niro as Max Cady, the bible verse-tattoo sporting convict from 'Cape Fear.'
A production still of Robert De Niro as Max Cady, the bible verse-tattoo sporting convict from 'Cape Fear.'

“Eat, drink, and be merry.” “The skin of our teeth.” “Ye shall know the truth, and the truth shall make you free.” Phrases from the King James Bible are so thoroughly integrated into our language that we often don’t think about their origins. In conjunction with today’s opening of the exhibition The King James Bible: Its History and Influence, co-Curator Danielle Brune Sigler explores the translation’s influence on works ranging from the speeches of Martin Luther King Jr. to Robert De Niro’s tattoos in Cape Fear.

Photo Friday

By Jennifer Tisdale

Each Friday, the Ransom Center shares photos from throughout the week that highlight a range of activities and collection holdings. We hope you enjoy these photos that reveal some of the everyday happenings at the Center.

Assistant Archivist Nicole Davis (left) and Archivist Jennifer Hecker work on cataloging the papers of lawyer Morris Ernst. Some of the more than 900 processed and unprocessed boxes of the Ernst collection surround Davis and Hecker as they work on making the collection accessible in fall 2011. Photo by Anthony Maddaloni.
Assistant Archivist Nicole Davis (left) and Archivist Jennifer Hecker work on cataloging the papers of lawyer Morris Ernst. Some of the more than 900 processed and unprocessed boxes of the Ernst collection surround Davis and Hecker as they work on making the collection accessible in fall 2011. Photo by Anthony Maddaloni.
Curator of Photography David Coleman (left) and Bill Ewing, Director of Curatorial Projects for Thames & Hudson, work with the Arnold Newman collection for a future project with the Foundation for the Exhibition of Photography. Photo by Anthony Maddaloni.
Curator of Photography David Coleman (left) and Bill Ewing, Director of Curatorial Projects for Thames & Hudson, work with the Arnold Newman collection for a future project with the Foundation for the Exhibition of Photography. Photo by Anthony Maddaloni.
Archivist Amy Armstrong works on cataloging the collection of screenwriter and director Paul Schrader, locating a costume worn by Willem Dafoe in ‘Light Sleeper’ (1992). Photo by Anthony Maddaloni.
Archivist Amy Armstrong works on cataloging the collection of screenwriter and director Paul Schrader, locating a costume worn by Willem Dafoe in ‘Light Sleeper’ (1992). Photo by Anthony Maddaloni.
Files that are being cataloged from the collection of screenwriter and director Paul Schrader. Photo by Anthony Maddaloni.
Files that are being cataloged from the collection of screenwriter and director Paul Schrader. Photo by Anthony Maddaloni.
Curator of Academic Affairs Danielle Sigler (center) shares collection items for ‘Banned, Burned, Seized, and Censored,’ a 2011 fall exhibition that examines the multi-faceted machinery of literary censorship during the inter war years. Photo by Anthony Maddaloni.
Curator of Academic Affairs Danielle Sigler (center) shares collection items for ‘Banned, Burned, Seized, and Censored,’ a 2011 fall exhibition that examines the multi-faceted machinery of literary censorship during the inter war years. Photo by Anthony Maddaloni.