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National Gallery of Art’s symposium 'Truth to Nature: British Photography and Pre-Raphaelitism'

By Jennifer Tisdale

Henry Peach Robinson, 'The Lady of Shalott,' 1861.
Henry Peach Robinson, 'The Lady of Shalott,' 1861.

Ransom Center Curator of Photography David Coleman participates in the National Gallery of Art’s symposium “Truth to Nature: British Photography and Pre-Raphaelitism” in Washington, D.C., on Saturday, January 22.

Coleman presents “Matters of Fact and Pleasant Fictions: Henry Peach Robinson and Victorian Composition Photography,” elaborating on Robinson’s relationship with Pre-Raphaelite painting.

The Ransom Center loaned 14 items from its photography collection to the National Gallery of Art for the exhibition The Pre-Raphaelite Lens: British Photography and Painting, 1848-1875, on view through January 30. Beginning March 6, the exhibition opens at the Musée d’Orsay, Paris as A Ballad of Love and Death: Pre-Raphaelite Photography in Great Britain, 1848-1875. Running through May 29, this exhibition also showcases the Ransom Center’s loaned photographs.

Before and After: A Henry Peach Robinson photograph

By Alicia Dietrich

Before: Henry Peach Robinson, 'Bringing Home the May,' ca. 1862-1863. Albumen print.
Before: Henry Peach Robinson, 'Bringing Home the May,' ca. 1862-1863. Albumen print.

After: Henry Peach Robinson, 'Bringing Home the May,' ca. 1862-1863. Albumen print.
After: Henry Peach Robinson, 'Bringing Home the May,' ca. 1862-1863. Albumen print.

“Before and After” goes behind the scenes with the the Ransom Center’s conservation department. The most recent installment highlighted work that Head of Photograph Conservation Barbara Brown completed on the Henry Peach Robinson photograph “Bringing Home the May,” taken ca. 1862–1863.

Learn more about how the photograph was repaired and re-mounted.

Some of Robinson’s work is on view in the current exhibition Discovering the Language of Photography: The Gernsheim Collection.

View video of "Discovering the Language of Photography: The Gernsheim Collection"

By Christine Lee

The exhibition Discovering the Language of Photography: The Gernsheim Collection opens today at the Ransom Center.

Drawn from the peerless collection of Helmut and Alison Gernsheim, the exhibition features masterpieces from photography’s first 150 years, alongside other images that, while lesser known, are integral to the medium’s history. Highlights include the first photograph (on permanent display at the Ransom Center); works by nineteenth-century masters such as Lewis Carroll, Julia Margaret Cameron, and Henry Peach Robinson; and iconic images by modern photographers such as Man Ray, Edward Weston, Robert Capa, and Henri Cartier-Bresson.

The Harry Ransom Center will celebrate the opening of the exhibition with “A Picture Perfect Evening” on Friday, September 10th from 6 to 8 p.m. The event is free for Ransom Center members or $20 for non-members. Tickets can be purchased in advance on the website or at the door. The event will feature exhibition tours, refreshments, a photo booth, and make-and-take photo keepsakes with The Wondercraft.

Discovering the Language of Photography: The Gernsheim Collection
Discovering the Language of Photography: The Gernsheim Collection