This October, Jayne Anne Phillips has released her newest novel, Quiet Dell. Described by Stephen King as “a compulsively readable story,” the novel is based on the true and mysterious murder of a widow and her children living in Quiet Dell, West Virginia.
Phillips, whose archive resides at the Ransom Center, is the author of six novels and short story collections and the recipient of literary prizes including a Guggenheim fellowship and two National Endowment for the Arts fellowships. Her novel Lark and Termite was a finalist for the 2009 National Book Award.
Known for the family dynamics she enmeshes in her work, Jayne Anne Phillips uses her own family history as a source for character and plot development in her debut novel Machine Dreams (1984). Phillips chronicles one family, the Hampsons, to explore narratives that span from the years leading up to World War II through the Vietnam War.
Phillips’s papers, which are now accessible at the Ransom Center, include letters, travel ephemera, army pamphlets, and public service announcements. Drawing on wartime and post-war letters written by her father, and addressed to his aunt, Phillips captures the distress of mid-twentieth-century America. The letters also inform character development in Machine Dreams.
Phillips incorporates specific language and usage from the letters throughout the novel. Her father continually sends love to “the kids,” but seldom makes specific mention of the names of his young cousins. Borrowing this language in a chapter titled “The House at Night,” Phillips writes:
“She heard faintly her brother breathe and whimper; in these summer days the artificial disruption of school was forgotten and the fifteen months of age separating them disappeared; they existed between their parents as one shadow, the kids, and they fought and conspired with no recognition of separation.”
Seeing Phillips’s papers is like gaining access to an era of American life. Family photographs in the archive supplement the early drafts of Machine Dreams, which Phillips scribbled in spiral notebooks. Annotations on photographs give meaning to otherwise nameless faces, revealing the ways Phillips develops her characters and narratives. It appears that personal relics guide Phillips’s process in the most intimate of ways—through family memories.
Phillips was a finalist for the 2009 National Book Award for her novelLark & Termiteandis the author of MotherKind (2000), Shelter (1994), Black Tickets (1979), and Fast Lanes (1984).
Born in West Virginia in 1952, writer Jayne Anne Phillips published her first story collection in 1976. The publication of Black Tickets in 1979 prompted Nobel Laureate Nadine Gordimer to call Phillips “the best short story writer since Eudora Welty.” Phillips’s subsequent publications, which have been praised for their poetic prose and in-depth examinations of war and family dynamics, have continued to garner critical acclaim and major literary prizes, including her most recent novel, Lark and Termite, which was a finalist for the National Book Award in 2009. Materials related to Phillips and Lark and Termite are highlighted in the Ransom Center’s exhibition Culture Unbound: Collecting in the Twenty-First Century.
Lark and Termite explores the effects of the Korean War on a soldier and his family back home in West Virginia. Termite, the disabled son of the soldier, and Lark, his half sister and caretaker, are the central characters of the novel. The novel shifts between narrators, settings, and time.
Inspired by a series of investigative news articles published in 1999 about the No Gun Ri Massacre during the Korean War, Phillips incorporates the incident into the plot of Lark and Termite. During the massacre, an unknown number of Korean refugees were strafed from the air by machine guns at close range by U.S. soldiers. The bridge where the massacre occurred is the setting of critical scenes in the novel, and bridges and trains bear strong symbolism throughout the story. Phillips kept news clippings about the incident in her files related to the novel, and one clipping that includes an image of the bridge is displayed in the exhibition.
Further significance of trains and tunnels are found throughout the novel. Displayed in the exhibition is a typescript page from a section of the book narrated by Termite, which demonstrates the boy’s attraction to trains and bridges. Termite spends much of his time in a rail yard tunnel listening to the roar of the trains overhead.
Culture Unbound: Collecting in the Twenty-First Century can be seen in the Ransom Center Galleries on Tuesdays through Fridays from 10 a.m. to 5 p.m., with extended Thursday hours to 7 p.m. On Saturdays and Sundays the galleries are open from noon to 5 p.m. The galleries are closed on Mondays.
Last September, the Ransom Center acquired the papers of writer Jayne Anne Phillips. Phillips, who was a finalist for the 2009 National Book Award for her novel Lark & Termite, shares her recommended reading in the latest issue of Ransom Edition.
Known for her poetic prose and her in-depth study of family dynamics, Phillips is the author of Black Tickets, Machine Dreams, Shelter, and Motherkind. The critically acclaimed writer has received a number of major literary prizes, including a Guggenheim fellowship and two National Endowment for the Arts fellowships. A member of the American Academy of Arts and Letters, Phillips is professor of English and director of the Master of Fine Arts program in Creative Writing at Rutgers University, Newark.
The Ransom Center has acquired the papers of American novelist Jayne Anne Phillips. Phillips has published six novels and story collections over the last three decades. Her most recent work is Lark and Termite (2009).
Phillips visited the Ransom Center recently and recorded a reading of Lark and Termite, which you can listen to here.
Known for her poetic prose and her in-depth study of family dynamics, Phillips has received critical acclaim and major literary prizes, including a Guggenheim fellowship and two National Endowment for the Arts fellowships. A member of the American Academy of Arts and Letters, Phillips is professor of English and director of the Master of Fine Arts program in Creative Writing at Rutgers University, Newark.
The acquisition contains manuscripts in multiple states for Black Tickets (1979), Machine Dreams (1984), Shelter (1995), Motherkind (2000), and Lark and Termite, as well as dozens of individual short stories and essays, some never published. Phillips’s school records, early writings, family photographs, notebooks, business documents, fan mail, and related ephemera provide insight into the writer’s life, writing process, family relationships, and publishing history.