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Teaching Magnum: What we can learn from Magnum Photos

By Abigail Cain

“Nicaragua. Matagalpa. Muchachos await the counterattack by the National Guard.” 1978 © Susan Meiselas/Magnum Photos
“Nicaragua. Matagalpa. Muchachos await the counterattack by the National Guard.” 1978 © Susan Meiselas/Magnum Photos

Photojournalist Susan Meiselas broke tradition when she photographed the “people’s revolt” in Nicaragua in color. In 1981, black and white was still the accepted medium in which to depict conflict. Yet, she described the choice as best capturing “the vibrancy and optimism of the resistance.”

Learn more about Meiselas’s photograph and how it influenced Donna DeCesare, award-winning documentary photographer and University of Texas at Austin Associate Professor of Journalism. DeCesare writes about this and other images from the current exhibition Radical Transformation: Magnum Photos into the Digital Age, noting their impact on her photography and teaching.

Radical Transformation: Magnum Photos into the Digital Age, on display at the Ransom Center from September 10 through January 5, explores the evolution of Magnum Photos from print journalism to the digital age, revealing a global cooperative in continual flux, persistently exploring new relationships between photographers, their subjects, and their viewers.

On this Thursday, September 26 at 7 p.m., DeCesare speaks about her new book Unsettled/Desasosiego, which explores the effects of decades of war and gang violence on the lives of youths in Central America and the United States. A book signing follows.

DeCesare was recently honored with a Maria Moors Cabot Prize from the Columbia University Graduate School of Journalism for outstanding reporting on Latin America and the Caribbean.

Related content:

“Photojournalism in War Zones”: An audio interview with Donna DeCesare

Book chronicles “Postcards From America” road trip with Magnum photographers

By Elana Estrin

In May 2011, five Magnum photographers and one writer hopped on an R.V. at the Harry Ransom Center and launched a two-week road trip from Texas to California.

1,750 miles and thousands of photographs later, the result of the “Postcards from America” road trip is a limited-edition book that was released this week. The book is actually a collection of 18 items enclosed in a box signed by the itinerant photographers—Paolo Pellegrin, Jim Goldberg, Susan Meiselas, Alec Soth, Mikhael Subotzky—and writer Ginger Strand: a book, five bumper stickers, a newspaper, two fold-outs, three cards, a poster, and five zines. According to the “Postcards From America” Tumblr, these items “combine to represent the idiosyncratically American character that defines this project.”

More information and pictures from the book are available on the “Postcards From America” website.

A selection of prints from the road trip will be added to the Magnum Photos collection, housed at the Center. The Ransom Center is pleased to participate in this documentary event, an outgrowth of the Center’s relationship with the Magnum Photos collective. In 2010 the Ransom Center joined in partnership with Magnum Photos and MSD Capital, LP to house 200,000 original press prints from Magnum’s New York bureau. The Ransom Center has since created a preliminary inventory and opened the collection for research to students, faculty, and the general public. The Ransom Center continues to work with Magnum, including the Magnum Foundation, to add further research value to the collection.

“The Ransom Center was the perfect place for us to start this trip,” photographer Susan Meiselas, President of the Magnum Cultural Foundation, told Cultural Compass. “Our picture distribution system, represented by the New York press print library that’s now housed at the Center, was part of the glue that historically held us together as a collective. In a post-analog age, we’re exploring new ways of being together collectively, and this trip was one of those experiments. We really saw how the Ransom Center could be a bridge between the old and the new. I hope we’ll keep doing more new projects together because I really believe in the importance of linking the archival materials to a living body of new production carried out with the same relentlessly curious spirit.”

Watch photographer Alec Soth lead a video introduction to the box set.

In the coming weeks, stay tuned for a follow-up blog post featuring a selection of prints from the road trip that will be added to the Magnum Photos collection at the Ransom Center.

View photos from “Postcards From America” event

By David Coleman

On Friday, May 13, the Ransom Center helped to launch Magnum Photos’s road trip Postcards from America project.  The events began with an open bus where photography fans could meet and talk with Magnum photographers Jim Goldberg, Susan Meiselas, Paolo Pellegrin, Alec Soth, Mikhael Subotzky, and writer Ginger Strand at their R.V., which the Postcards group parked right on the plaza.  (As you can see in the slideshow, getting it there was a bit dicey!)

After that was the main event: a public talk by the photographers and writer discussing the origins and plans for the project.  Although their journey had only just begun the day before in San Antonio, each photographer presented some amazing images from just one day’s work.  You can see many of these images on the Postcards From America blog.

The Ransom Center was excited to participate in this new project, an outgrowth of our parnership with Magnum Photos and MSD Capital, LP to house 200,000 press prints from Magnum Photos’s New York bureau.

I encourage you to follow the photographers on their blog and through the Blurb Mobile app.  Do it soon because they are more than halfway through their trip, which ends in Oakland with an exhibition from their journey at the Starline Social Club on May 26.

 

Please click the thumbnail to view full-size images.

 

Ransom Center helps to launch Magnum Photos's “Postcards From America” tomorrow

By David Coleman

Image courtesy of Magnum Photos.
Image courtesy of Magnum Photos.

“5 photographers, a writer, 2 weeks, a bus.” Thus begins a unique documentary project comprised of Magnum photographers Jim Goldberg, Susan Meiselas, Paolo Pellegrin, Alec Soth, Mikhael Subotzky, and writer Ginger Strand, who will be traveling from San Antonio to Oakland from May 12 to May 26 on the first of a series of trips across the country.

They’ve been blogging about it since the end of March, so there’s already plenty to see and read. You can follow them on various social media sites, and you can even post your own images at the “Postcards From America” Flickr site. At the end they will be mounting a special exhibition of images from the trip at the Starline in Oakland, and they promise to include some of the follower-contributed Flickr images as well.

The idea was born at a retreat where Magnum photographers talked about, of all things, photography. It’s exactly the type of independent project that was behind Magnum’s founding by Robert Capa, Henri Cartier-Bresson, David Seymour, and George Roger in 1947. Established to preserve the copyright of their work, the Magnum cooperative agency thus secured perpetual revenue from the photographers’ imagery. This watershed moment in photojournalism thereby allowed the photographers to break free from the news cycle and pursue more in-depth and independent projects like “Postcards From America.”

The Ransom Center is excited to participate in this unique documentary event, which comes as an outgrowth of our relationship with Magnum Photos.  In 2010 the Ransom Center joined in partnership with Magnum Photos and MSD Capital, LP to house some 200,000 original press prints from Magnum’s New York bureau. The Ransom Center has since created a preliminary inventory and opened the collection to students, faculty, and the general public. We continue to work with Magnum, including the Magnum Foundation, to add further research value to the collection.

The events on Friday, May 13, begin with a chance to informally meet and talk with the photographers between 5 p.m. and 6 p.m. at their R.V., which will be parked on the north end of the Ransom Center plaza. This will be followed by a public discussion among the “Postcards” participants about photography and ways to picture America, held at 7 p.m. C.S.T. at Jessen Auditorium, Homer Rainey Hall, across the plaza from the Ransom Center. The program will be webcast live.

I hope you can join us.