Fred Kaplan worked in the Ransom Center’s Reading and Viewing Rooms while researching his book 1959: The Year Everything Changed, which was released last month. He describes his work at the Center:
I came down to the Harry Ransom Center for a few days in the summer of 2008 as part of my research for a book that wound up being titled 1959: The Year Everything Changed (Wiley, 2009). I focused mainly on the papers of Norman Mailer and Allen Ginsberg. Without the materials that I found there, my book would have been less rich and complete than it is. Certain letters and diary entries in the Mailer papers forced me to revise my concept and chronology of where and when Mailer acquired or devised some of his most original and influential ideas. Poring through the Ginsberg papers, I was hoping to find connections between his poetry and two excitements of the era: jazz and space exploration. I found both.
The Ransom Center announces its application process for the more than 50 fellowships that are awarded annually to support scholarly research projects in all areas of the humanities. Applicants must apply by February 1, 2010, and demonstrate the need for substantial on-site use of the Center’s collections.
Recent fellow Daniel Worden, who received a Dorot Foundation Postdoctoral Research Fellowship in Jewish Studies, describes his experience at the Ransom Center:
This summer, I worked in the Norman Mailer papers at the Harry Ransom Center, through the support of a Dorot Foundation Fellowship. This research trip allowed me to begin work on my new book project, “Cool Realism: The New Journalism and American Literary Culture.” This book will focus on literary non-fiction from the 1960s and 1970s that adopts techniques from fiction writing. Norman Mailer is key to this project, and the Ransom Center’s collections proved to be a perfect starting point for my research.
Since I was primarily interested in Mailer’s non-fiction writing, I was able to focus the first two weeks of my research on a few key texts, namely, The Armies of the Night, The Fight, and Miami and the Siege of Chicago. On my first day at the Ransom Center, I was thrilled to find an early introduction to The Armies of the Night, Mailer’s book about the 1967 March on the Pentagon, that compared his journalistic method to Truman Capote’s, as realized in In Cold Blood. Mailer argued in this draft introduction that he relies less on fact and more on “mood” in documenting events. It is precisely this type of comparison, and the resulting ideas about what constitutes “true” writing and meaningful journalism, that I was hoping to find.
Working at the Ransom Center was a joy. The curators and librarians were incredibly helpful, and I was able to accomplish much during my stay because the environment at the Ransom Center is so conducive to archival work. As an added bonus, Austin is such a vibrant city—there was always something to do after the reading room closed.
Watch the video of Worden discussing his research and describing how one “can watch works develop in their different stages.”