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First Photograph to travel to Europe for first time in 50 years

Joseph Nicéphore Niépce's 'View from the Window at Le Gras' c. 1826. Photo by J. Paul Getty Museum.
Joseph Nicéphore Niépce's 'View from the Window at Le Gras' c. 1826. Photo by J. Paul Getty Museum.

The First Photograph will be loaned, along with 119 other images and photography-related items from the Harry Ransom Center’s Gernsheim collection, to the Reiss Englehorn Museum in Mannheim, Germany, for the exhibition “The Birth of Photography-Highlights of the Helmut Gernsheim Collection.” The exhibition runs from September 9 through January 6, 2013.

The First Photograph has been removed from display at the Ransom Center to be prepared for its departure in July. The First Photograph will be back on display at the Ransom Center in February 2013.

The First Photograph was acquired by the Ransom Center as part of the Gernsheim collection from Helmut and Alison Gernsheim in 1963. Taken in 1826 or 1827, Joseph Nicéphore Niépce’s View from the Window at Le Gras depicts the view from an upstairs window at Niépce’s estate, Le Gras, which is in the Burgundy region of France. Niépce’s photograph represents the foundation of today’s photography, film, and other media arts.

The First Photograph forms the cornerstone of Helmut Gernsheim’s photographic collection, which was the largest in the world when the Ransom Center acquired it in 1963. The Gernsheim collection is one of the seminal collections in the United States of the history of photography and contains an unparalleled range of more than 35,000 images. Its encyclopedic scope—as well as the expertise with which the Gernsheims assembled the collection — makes the Gernsheim collection one of the world’s premier sources for the study and appreciation of photography

In 2002, the Forum International Photographie at the Reiss Engelhorn Museum acquired Gernsheim’s later collection of contemporary photography, along with his own photographs and archive. For the first time in half a century, major portions of both Gernsheim collections are being reunited: the historical material housed in the Ransom Center and the contemporary collection in the Forum International Photographie at the Reiss Engelhorn Museum.

While the First Photograph is on loan, the photographic print View from the Window at Le Gras, 1826, 2009 by Adam Schreiber will occupy the display in the Ransom Center’s lobby. The photograph depicts the Niepce plate in situ in the museum display, as photographed by Schreiber in 2009. Schreiber is a member of the Lakes Were Rivers artist collective, a group of artists who work primarily in photography and video. In summer 2013, the Ransom Center will host an exhibition in which members of the collective will display their original works paired with Ransom Center collection material that inspired them.

Special offer celebrates recognition of "The Gernsheim Collection"

Just last week, The Gernsheim Collection, co-published by the Harry Ransom Center and the University of Texas Press, received an Alfred H. Barr Jr. Award, which honors a distinguished catalog in the history of art published during the past year.

To celebrate this recognition, the Ransom Center is offering editor-signed copies of The Gernsheim Collection at a reduced price of $60 through March 15. Orders placed by this date will also include a set of five notecards featuring images from the Gernsheim collection.

Edited by Ransom Center Senior Research Curator Roy Flukinger, The Gernsheim Collection coincided with the Ransom Center’s 2010 exhibition Discovering the Language of Photography: The Gernsheim Collection, which explored the history of photography through the Center’s foundational photography collection. The Gernsheim collection is widely considered one of the most important collections of photography in the world. Amassed by the renowned husband-and-wife team of Helmut and Alison Gernsheim between 1945 and 1963, it contains an unparalleled range of images, beginning with the world’s earliest-known photograph from nature, made by Joseph Nicéphore Niépce in 1826.

The book includes more than 125 full-page plates of images from the collection accompanied by descriptions of each image’s place in the evolution of photography and within the collection.

The Wall Street Journal included the publication in “Timeless Snapshots of Past and Present.”

The offer is available online and in person at the visitor’s desk in the Ransom Center’s lobby through Thursday, March 15.

The publication of The Gernsheim Collection was made possible by the generous support of Janet and Jack Roberts, Jeanne and Van Hoisington, Margaret Hight, William Russell Young III, and the Hite Foundation in memory of Sybil E. Hite.

"The Gernsheim Collection" Earns Recognition

"The Gernsheim Collection" (UT Press, 2010).
"The Gernsheim Collection" (UT Press, 2010).

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The Gernsheim Collection, co-published by the Harry Ransom Center and the University of Texas Press, has been awarded an Alfred H. Barr Jr. Award, which honors a distinguished catalog in the history of art published during the past year.

Edited by Ransom Center Senior Research Curator Roy Flukinger, The Gernsheim Collection coincided with the Ransom Center’s 2010 exhibition Discovering the Language of Photography: The Gernsheim Collection, which explored the history of photography through the Center’s foundational photography collection.

The Gernsheim collection is one of the most important collections of photography in the world. Amassed by the renowned husband-and-wife team of Helmut and Alison Gernsheim between 1945 and 1963, it contains an unparalleled range of images, beginning with the world’s earliest-known photograph from nature, made by Joseph Nicéphore Niépce in 1826.

The book includes more than 125 full-page plates from the collection accompanied by extensive annotations in which Flukinger describes each image’s place in the evolution of photography and within the collection.

Tonight: "The Lives and Work of Helmut and Alison Gernsheim"

Cover of ‘The Gernsheim Collection’
Cover of ‘The Gernsheim Collection’

Tonight, J. B. Colson, Professor Emeritus of Journalism and Fellow of the Dolph Briscoe Center for American History, and Roy Flukinger, Ransom Center Senior Research Curator of Photography, discuss the lives and work of Helmut and Alison Gernsheim at the Ransom Center.

This event will be webcast live and is held in conjunction with the exhibition Discovering the Language of Photography: The Gernsheim Collection, on display through January 2, and the release of the book The Gernsheim Collection. A book signing of The Gernsheim Collection follows.

In this video clip from a 1978 interview, Colson asks Helmut Gernsheim about his passion for collecting and his career as a pioneering historian of photography. Helmut and Alison Gernsheim’s efforts significantly contributed to the acceptance of photography as a fine art and as a field worthy of intellectual study. In this clip, Gernsheim discusses how and why he started collecting photography before it became an established practice.

Listen to audio clips about the Gernsheim photography collection

Unidentified Photographer. Helmut and Alison Gernsheim hanging an exhibition at Wayne State University, Detroit, Michigan. 1963.
Unidentified Photographer. Helmut and Alison Gernsheim hanging an exhibition at Wayne State University, Detroit, Michigan. 1963.
Roy Flukinger, Senior Research Curator of Photography at the Ransom Center and author of The Gernsheim Collection, discusses the lives of Helmut and Alison Gernsheim and the historical photography collection they amassed and later sold to the Ransom Center in 1963.

Listen to audio clips of Flukinger discussing the hunt for the first photograph, how the Gernsheims began collecting, and the negotiations that led to the sale of their collection.

Read an excerpt from "The Gernsheim Collection"

The Gernsheim Collection
The Gernsheim Collection

In conjunction with the exhibition Discovering the Language of Photography: The Gernsheim Collection, the Ransom Center and the University of Texas Press have published The Gernsheim Collection.

The Gernsheim collection is one of the most important collections of photography in the world. Amassed by the renowned husband-and-wife team of Helmut and Alison Gernsheim between 1945 and 1963, it contains an unparalleled range of images, beginning with the world’s earliest-known photograph from nature, made by Joseph Nicéphore Niépce in 1826. The Gernsheim collection includes 35,000 important and representative photographs from the nineteenth and twentieth centuries; a research library of some 3,600 books, journals, and published articles; about 250 autographed letters and manuscripts; and more than 200 pieces of early photographic equipment. Its encyclopedic scope—as well as the expertise and taste with which the Gernsheims built the collection—makes the Gernsheim collection one of the world’s premier resources for the study and appreciation of the development of photography.

Published to coincide with the exhibition at the Ransom Center, this volume presents masterpieces of the Gernsheim collection, along with lesser-known images of great historical significance. Arranged in chronological order, this selection effectively constitutes a visual history of photography from its beginnings to the mid-twentieth century. Each full-page image is accompanied by an extensive annotation in which Ransom Center Senior Research Curator of Photography Roy Flukinger describes the photograph’s place in the evolution of photography and also within the Gernsheim collection. Read an excerpt from the introduction in which Flukinger traces the Gernsheims’ passionate careers as collectors and pioneering historians of photography, showing how their untiring efforts significantly contributed to the acceptance of photography as a fine art and as a field worthy of intellectual inquiry.