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In the Galleries: John Speed’s Postdeluvian Genealogy from the First Edition of the King James Bible

Historian John Speed (1542–1629) worked with Hebrew scholar Hugh Broughton to create a 36-page genealogy to accompany the first printing of the King James Bible. The genealogy traced “euery family and tribe with the line of Our Sauior Jesus Christ obserued from Adam to the Blessed Virgin Mary.” Speed’s genealogy (1611) portrays the then-popular view that Noah’s sons went on to populate specific regions of the world: Shem to Asia, Japheth to Europe, and Ham to Africa. In the Americas, pro-slavery advocates used the “curse of Ham” to justify the enslavement of Africans and their descendants.

Speed’s genealogy and other manuscripts related to the King James Bible are on view in the exhibition The King James Bible: Its History and Influence through July 29.

 

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Helen Moore shares insight about Oxford and the making of the King James Bible

In April, Helen Moore, Fellow and Tutor in English at Corpus Christi College, University of Oxford, spoke about the history of the King James translation at the Harry Ransom Center. The talk is now online on YouTube.

Moore was lead curator of Manifold Greatness: Oxford and the Making of the King James Bible, an exhibition held at the Bodleian Library at the University of Oxford in 2011. Her illustrated talk addressed the role played by Oxford in the translation of the King James Bible, the methods used by the translators, and some of the items displayed at the Oxford exhibition.

The event was co-sponsored by Corpus Christi College, University of Oxford and The Wall Street Journal.

The Ransom Center’s related exhibition The King James Bible: Its History and Influence is on view through July 29.

In the Galleries: Robert De Niro's King James Version-inspired tattoos in "Cape Fear"

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The 1991 Martin Scorsese–directed thriller Cape Fear may seem an unlikely candidate for documenting the use and influence of the King James Bible, but its central character, Max Cady, as played by Robert De Niro, wielded biblical verses like weapons.

This aspect of Cady was absent in both the original 1962 film starring Gregory Peck and Robert Mitchum and in The Executioners (1957), the novel by John D. MacDonald on which the film was based.

Cape Fear follows Cady, a convicted felon, as he seeks vengeance against his attorney, Sam Bowden. While in prison, Cady learned that Bowden suppressed information that might have resulted in a lighter sentence or acquittal. The biblical story of Job’s suffering looms large as a model for Cady’s punishment of Bowden.

The research materials from the Robert De Niro collection reveal the extent to which De Niro was involved in the development of the Pentecostal past of and biblical influence on Cady. To prepare for the role, De Niro consulted multiple Bibles, a concordance, Bible study guides, Stephen Mitchell’s translation of the Book of Job, and books and articles about Pentecostalism and Pentecostal worship.

Screenwriter Wesley Strick recalled, “Every scene of Bob’s, he would call me and say, ‘Can Max say something else here about vengeance, from the Bible?’” De Niro also worked closely with Scorcese and artist Ilona Herman to identify Bible verses and designs for Cady’s extensive tattoos.

Cape Fear did not offer viewers a traditional Bible story. Indeed, Cady’s use of the Bible was troubling for many audiences, and it contributed to the tension of the film. One critic observed, “The dissonance between the cultural expectations we associate with the Bible and our immediate perception of this character [as evil] contributes to the sustained horror of the film.”

Materials from Cape Fear and other films influenced by the King James Bible are on view in the exhibition The King James Bible: Its History and Influence through July 29.

A production still of Robert De Niro as Max Cady, the bible verse-tattoo sporting convict from "Cape Fear."
A production still of Robert De Niro as Max Cady, the bible verse-tattoo sporting convict from "Cape Fear."

In the Galleries: Anatomy of the King James Bible title page

Click on image to view larger version.
Click on image to view larger version.

The title page of the 1611 King James Bible is the first title page of an English Bible to feature a depiction of the Trinity: Father, Son, and Holy Spirit. Though this Bible is traditionally called the “King James,” the title page does not announce the king’s patronage by featuring his image.

The imposing architectural frame, suggestive of a church edifice, is full of human figures, including Moses and Aaron, the Evangelists, and the Apostles. Traditionally, Jesus had twelve Apostles, but the thirteen depicted here include Matthias, who replaced Judas after his betrayal (Acts 1:26), and Paul, who described himself as an Apostle in Romans 1. Each apostle is represented by a symbolic attribute, though not all are easily identifiable.

The first edition’s title page and other materials pertaining to the King James Bible are on view in the exhibition The King James Bible: Its History and Influence through July 29.

Before and After: Mark Twain's Bible

This copy of the Bible belonged to Samuel Clemens (Mark Twain), who carried the book with him during a trip to Constantinople in 1867 while he was writing "Innocents Abroad."
This copy of the Bible belonged to Samuel Clemens (Mark Twain), who carried the book with him during a trip to Constantinople in 1867 while he was writing "Innocents Abroad."

While writing Innocents Abroad, Samuel Clemens (known more familiarly as Mark Twain) carried a Bible during a trip to Constantinople in 1867. The book is now part of the Ransom Center’s collections and can be seen in the exhibition The King James Bible: Its History and Influence, which runs through July 29.

The Bible recently underwent some work in the Ransom Center’s conservation lab. Learn about the steps taken to conserve and house this historical book.

Making It New: The Bible and Modernist Book Arts

"The Song of Song Which Is Solomon's" (1902).
"The Song of Song Which Is Solomon's" (1902).

Although the focus of The King James Bible: Its History and Influence is on the 400th anniversary of the Bible, the occasion presented an ideal opportunity to display early English Bibles from the Ransom Center’s collections and some of the finest examples of modern book design featuring Biblical texts.

Co-curators Richard Oram and Ryan Hildebrand write about the different ways printers, book designers, and artists have approached the artistic presentation of the King James Bible in “Making it New: The Bible and Modernist Book Arts.”

The King James Bible: Its History and Influence runs through July 29.

Recommended Reading: The King James Bible: Its History and Influence

Cover of Joseph Heller's "God Knows," a recommended reading pick by exhibition co-curator Danielle Brune Sigler.
Cover of Joseph Heller's "God Knows," a recommended reading pick by exhibition co-curator Danielle Brune Sigler.

The Ransom Center’s current exhibition The King James Bible: It’s History and Influence tells the little-known story of one of the most widely read and printed books in the history of the English language. Exhibition co-curator Danielle Brune Sigler offers a list of recommended reading that traces the history of the influence of this translation.

In the Galleries: The Origins of WWJD

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In the 1890s, Kansas minister Charles M. Sheldon (1857–1946) turned to “sermon stories” to engage his congregation. In 1896, Sheldon began reading to the Central Church of Topeka a new series of stories called In His Steps. Like other Sheldon sermon stories, In His Steps ran as a serial in The Advance (Chicago) before being published as a book.

Sheldon and his publishers, who had failed to properly secure a copyright for In His Steps, were stunned at the novel’s success—and all of the pirated editions that emerged. In His Steps became a runaway bestseller in the United States and England.

Sheldon took his inspiration and title from I Peter 2:21 and used the newly revised King James Bible (1881/1885) as his source text: “For here unto were ye called: because Christ also suffered for you, leaving you an example, that ye should follow his steps.”

The 12 central characters in the novel take a pledge to live their lives guided by the question, “What would Jesus do?” As Sheldon was part of the larger Social Gospel movement that sought to improve social problems throughout the world, much of the novel centers on how characters used the pledge to minister to the needs of the urban poor and to fight the destructive effects of alcohol. The popularity of the novel waned, but it was “rediscovered” in the 1990s, and the question “What would Jesus do?” again swept the country, with the four letters “WWJD” appearing on bracelets, bumper stickers, and t-shirts.

Sheldon’s manuscript and pen holder, along with the works of other authors inspired by the King James Bible, are on view in the exhibition The King James Bible: Its History and Influence through July 29.

The original manuscript of Charles M. Sheldon's "In His Steps." Sheldon first delivered the book as a series of sermons in 1896.
The original manuscript of Charles M. Sheldon's "In His Steps." Sheldon first delivered the book as a series of sermons in 1896.

In the Galleries: John Bunyan’s "The Pilgrim's Progress"

"Plan of the Road from the City of Destruction to the Celestial City" from the 1833 edition of "The Pilgrim's Progress." Click on image to view enlarged version.
"Plan of the Road from the City of Destruction to the Celestial City" from the 1833 edition of "The Pilgrim's Progress." Click on image to view enlarged version.

Few writers have been as biblically obsessed as John Bunyan (1628–1688). In his spiritual autobiography, he writes of being literally accosted, struck, and pursued by Bible verses wherever he went. His life, like his writings, was a biblical allegory. One of his most famous works, The Pilgrim’s Progress, was the most popular book in English, apart from the Bible itself. Bunyan wrote the allegory during his imprisonment for preaching without the sanction of the Church of England. The novel follows the central character Christian on his journey “from this world to that which is to come,” and is evocative of such works as Dante’s Divine Comedy. The plan or map helps readers follow the protagonist’s journey and provides an effective plot summary as well, as it depicts major events of Christian’s voyage to the Celestial City. Both the style and language of The Pilgrim’s Progress demonstrate the profound influence the King James translation had on Bunyan.

Bunyan’s work and those of other authors inspired by the King James Bible are on view in the exhibition The King James Bible: Its History and Influence through July 29.

Photo Friday

Each Friday, the Ransom Center shares photos from throughout the week that highlight a range of activities and collection holdings. We hope you enjoy these photos that reveal some of the everyday happenings at the Center.

Visitors examine manuscripts on display at 'The King James Bible: Its History and Influence' exhibition. Photo by Pete Smith
Visitors examine manuscripts on display at 'The King James Bible: Its History and Influence' exhibition. Photo by Pete Smith
Graduate intern Laura Wellen places Albert Einstein's molecular kit in a display case for visiting students. Photo by Jennifer Tisdale.
Graduate intern Laura Wellen places Albert Einstein's molecular kit in a display case for visiting students. Photo by Jennifer Tisdale.
Graduate intern Chelsea Weathers places a lock of Edgar Allan Poe's hair in a display case for visiting students. Photo by Jennifer Tisdale.
Graduate intern Chelsea Weathers places a lock of Edgar Allan Poe's hair in a display case for visiting students. Photo by Jennifer Tisdale.