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Photo Friday

Each Friday, the Ransom Center shares photos from throughout the week that highlight a range of activities and collection holdings. We hope you enjoy these photos that reveal some of the everyday happenings at the Center.

Author Nicholson Baker signed the authors’ door while on campus for the Texas Institute for Literary and Textual Studies Symposia 2012-2013: The Fate of the Book. Photo by Pete Smith.
Author Nicholson Baker signed the authors’ door while on campus for the Texas Institute for Literary and Textual Studies Symposia 2012-2013: The Fate of the Book. Photo by Pete Smith.
Author Nicholson Baker signed the authors’ door while on campus for the Texas Institute for Literary and Textual Studies Symposia 2012-2013: The Fate of the Book. Photo by Pete Smith.
Author Nicholson Baker signed the authors’ door while on campus for the Texas Institute for Literary and Textual Studies Symposia 2012-2013: The Fate of the Book. Photo by Pete Smith.
An etched reproduction of artist Tom Lea’s 1953 portrait of J. Frank Dobie in the Ransom Center’s south atria. Photo by Pete Smith.
An etched reproduction of artist Tom Lea’s 1953 portrait of J. Frank Dobie in the Ransom Center’s south atria. Photo by Pete Smith.

Donated Tom Lea drawings add depth to collection

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The Harry Ransom Center recently received a generous gift of four Tom Lea drawings. Dating from 1931 to 1951, the drawings of dancers and an acrobat showcase another artistic focus of Lea’s (1907 – 2001) expansive career.

Donated by Sandra Snyder, the drawings were previously owned by her aunt, Martha Esquivel Hahn, of El Paso, Texas. Hahn, herself a dancer and wardrobe supervisor, was a friend of Lea. Hahn and Lea went to the same high school in El Paso together and were life-long friends. After living in Chicago, New York City, and Las Vegas, Hahn returned to El Paso, where she opened a ballet school. One of the drawings, Portrait of Martha, is of Hahn.

The four works will be added to the Ransom Center’s Sarah and Tom Lea art collection, which consists of the artist’s personal art works, including book illustrations, paintings, drawings, and lithographs. The Ransom Center also holds a large archive of manuscripts relating to Lea’s books, including The Brave Bulls (1949) and The Wonderful Country (1952), both of which were produced as films.

“It is a good day when someone contacts the Center about finding a proper home for their artwork, especially when the work is strongly associated with artists already in the collection,” said Ransom Center Associate Curator of Art Peter Mears. “Ms. Snyder’s thoughtful gift of Tom Lea drawings adds depth to the collection as well as new insight into this El Paso artist’s exceptional career.”

The Tom Lea collection is accessible for research in the Ransom Center’s Reading and Viewing Room. The Tom Lea Room (located on the Ransom Center’s third floor), which chronicles Lea’s life and career and includes period photographs and original works of art, is available by appointment.

Tom Lea (American, 1907-2001). 'De Negre,' 1931. Pen and ink. ©Tom Lea Institute.
Tom Lea (American, 1907-2001). 'De Negre,' 1931. Pen and ink. ©Tom Lea Institute.